A work in constant progress (and occasional regress).
Associate Producer:
1999 One Day in September
Director:
1999 One Day in September
2010 The Lost Thing
2011 The Oscar Nominated Short Films 2011: Animation
2013 Rose and Violet
2023 The Day I Became a Bird
Executive Producer:
1999 One Day in September
2004 City Paradise
2006 Black Sun
2009 We Live in Public
2010 The Lost Thing
2010 The Tillman Story
2011 The Oscar Nominated Short Films 2011: Animation
2012 Searching for Sugar Man
2013 Rose and Violet
2015 Chuck Norris vs Communism
2015 Listen to Me Marlon
2015 Pray for Ukraine
2015 Winter on Fire: Ukraine's Fight for Freedom
2018 Spiral
2019 Citizen K
2019 The Australian Dream
2020 Belushi
2020 Rising Phoenix
2021 Final Account
2021 The Real Charlie Chaplin
2021 The Rescue
2022 Merkel
2022 The Territory
2023 Inside the Iranian Uprising
2023 The Day I Became a Bird
2023 WHAM!
2024 Antidote
2024 Rebel Nun
2024 Super/Man: The Christopher Reeve Story
Producer:
1999 One Day in September
2002 The Dog Who Was a Cat Inside
2004 City Paradise
2006 Black Sun
2009 We Live in Public
2010 The Lost Thing
2010 The Tillman Story
2011 The Oscar Nominated Short Films 2011: Animation
2012 Searching for Sugar Man
2013 How I Live Now
2013 Rose and Violet
2015 Chuck Norris vs Communism
2015 Listen to Me Marlon
2015 Pray for Ukraine
2015 Winter on Fire: Ukraine's Fight for Freedom
2018 Spiral
2019 Citizen K
2019 The Australian Dream
2020 Belushi
2020 Rising Phoenix
2021 Final Account
2021 The Real Charlie Chaplin
2021 The Rescue
2022 Merkel
2022 The Masked Scammer
2022 The Territory
2023 Inside the Iranian Uprising
2023 The Day I Became a Bird
2023 WHAM!
2024 Antidote
2024 Rebel Nun
2024 Super/Man: The Christopher Reeve Story
Executive Producer:
2023 AP Dhillon: First of a Kind
2025 Not a Box
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.