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Mark Todd Osborne

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Alias:
Mark T. Osborne

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Film Production

Additional Colorist:
2005  The Amityville Horror
2005  War of the Worlds
2006  Little Miss Sunshine

Color Timer:
2005  The Amityville Horror
2005  War of the Worlds
2006  Little Miss Sunshine
2013  She Said, She Said

Colorist:
2005  The Amityville Horror
2005  War of the Worlds
2006  Little Miss Sunshine
2013  She Said, She Said
2015  All Hallows' Eve 2
2018  Any Bullet Will Do
2019  Badland
2020  Alone
2020  Chick Fight
2020  I Used to Go Here
2020  Stage Mother
2021  Hero Mode
2021  Redemption Day
2021  The Reckoning
2022  Hot Seat
2022  Paradise City
2023  Supercell
2024  Another Cabin in the Woods Movie
2024  Popular Theory

Digital Intermediate Colorist:
2005  The Amityville Horror
2005  War of the Worlds
2006  Little Miss Sunshine
2010  The 41–Year–Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It
2013  She Said, She Said
2015  All Hallows' Eve 2
2018  Alone We Fight
2018  Any Bullet Will Do
2018  Braven
2019  Badland
2020  Alone
2020  Chick Fight
2020  I Used to Go Here
2020  Stage Mother
2021  Cosmic Sin
2021  Hero Mode
2021  Redemption Day
2021  Silk Road
2021  The Reckoning
2022  Hot Seat
2022  Paradise City
2023  Supercell
2024  Another Cabin in the Woods Movie
2024  Popular Theory

Click the heading above to show or hide the list.

TV Production

Color Designer:
2024  Files of the Unexplained

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.