A work in constant progress (and occasional regress).
Alias:
Hetty Naaijkens–Retel Helmrich
Birthplace:
Bandoeng, Java
Born:
November 8, 1955
Hetty Naaijkens-Retel Helmrich (Dutch born 1955, Bandoeng) raised in the Netherlands, is the director of Scarabeefilms (Netherlands). She has produced several award-winning documentaries. Hetty Naaijkens-Retel Helmrich started her career teaching Dutch language and Social Sciences in the Netherlands and on Curaçao (1979–1987). In 1989 she founded the film production company Scarabeefilms, which grew into an internationally active operation. She participated in the Twinning Programme of the E.U.-funded Media Business School and at the Amsterdam’s Binger Institute. In April 2004, Hetty Naaijkens-Retel Helmrich received the bi-annual Martha Hering Award for Dutch women in film and media who have actively supported other women in their field. She made her debut as a director with the self-produced feature-length documentary Contractpensions – Djangan Loepah, which was edited by her son Jasper Naaijkens. The film received Holland’s Crystal Film Award for attracting more than 10,000 visitors during its Dutch theatrical release in 2009. Her second feature-length documentary "Buitenkampers-the color of survival:" (2013) also got the Crystal film award for more than 10.000 tickets sold. (Wikipedia)
Director:
2008 Contractpensions - Djangan loepah!
2013 Buitenkampers
2013 Raw Herring
2018 Klanken van oorsprong
Producer:
1999 Balkan Baroque
2001 The Eye of the Day
2005 Eat Your Enemy
2005 Shape of the Moon
2008 Contractpensions - Djangan loepah!
2011 Position Among the Stars
2013 Buitenkampers
2013 Raw Herring
2018 Klanken van oorsprong
Writer:
1999 Balkan Baroque
2001 The Eye of the Day
2005 Eat Your Enemy
2005 Shape of the Moon
2008 Contractpensions - Djangan loepah!
2011 Position Among the Stars
2013 Buitenkampers
2013 Raw Herring
2018 Klanken van oorsprong
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.