A work in constant progress (and occasional regress).
Birthplace:
Thiers, Puy-de-Dôme, France
Born:
July 19, 1957
Died:
April 28, 2004
Patrick Berhault, born July 19, 1957 in Thiers (Puy-de-Dôme), grew up by the sea between Nice and Monaco. He joined the Club Alpin Monégasque at the age of 13 and started climbing with friends at La Turbie. He left school after the second, and devoted himself to his passion for the mountains and opened these first routes in the Mercantour massif. In 1978, Patrick Berhault had his first accident in the mountains with his friend Pierre Brizzi, following the break of a ledge, they descended an 814 meter corridor at the three Dents du Pelvoux. and should only salute them to a rope of mountaineers bivouacking near the place of their fall. At the end of the 1970s, together with Patrick Edlinger, he took part in the free climbing revolution in France. In 1980, he "released" the first 7c+ in France. He also practices full soloing in a confidential manner, always in a style based on fluidity and the search for gestural aesthetics. He will share three years of climbing and mountaineering with his brother in arms Patrick Edlinger, and will live from day to day solely for their passion between climbing and intensive training. In 1980, with Jean-Marc Boivin, they took the incredible gamble of connecting the summits of Les Drus and Le Fou during the day by hang-gliding after having climbed the south face for Le Fou and the direct American for Les Drus. He will achieve in record time, and most often solo, the toughest routes in the Alps. The “Berhault style” was born, calling into question many uses hitherto based on slowness, and imposing technology. In particular, he does major routes in the Verdon, and "liberates" climbing routes marked as the first 8c in France. From 1985, while his colleagues were pushing for competition, Berhault refused competition by signing the Manifesto of 192. An admirer of Rudolf Nureyev, he developed a new discipline: “Dance-Climbing”; he has developed choreographies and gives shows, notably at the Châteauvallon festival. At the same time, he became involved in social action by participating in climbing training courses for young people in Vaulx-en-Velin, today the 40-meter artificial climbing wall in the Mas du Taureau district. , bears his name. His project of a life in the countryside as a “farmer guide” materializes in Auvergne in his native hills of Forez; He moved into a farm in the hamlet with his company and his 2 daughters. Mason, farmer or carpenter, he spends his days without mountains driving his tractor and fixing up his farm. In the early 1990s, Patrick Berhault began his return to the mountains, passed his guide diploma and trained aspiring guides at ENSA, and returned from 1992 with express ascents. He then divided his life between expeditions in the Himalayas and Latin America, ENSA in Chamonix, and the development of climbing in Auvergne. In 1996, he opposed a controversial Franco-Chinese expedition to Tibet. His last project (March-April 2004) will consist in chaining the 82 peaks over 4000 m in the Alps, in the company of Philippe Magnin. Patrick Berhault will have a fatal fall on April 28, 2004, after the 64th summit, on the snowy ridge interspersed with rocky outcrops in the Mischabels massif in Switzerland.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.