A work in constant progress (and occasional regress).
Birthplace:
Washington, D.C., United States of America
Claire Kiechel was born in Washington D.C, and raised in Paris, Brussels, and Westchester. She went to amherst College where she majored in Theater and Dance, French, and English. She has worked with Ars Nova, New York Stage and Film, the exchange, and Yarn Films. Readings and productions of her plays have been held at the Brick Theater, the First Floor Theater at LaMaMa, the Kraine, and various spaces throughout the city. She has received the alpha Delta Phi Fellowship for her play Obituary Mambo, an Edward Poole Lay Fellowship, and an Edinburgh Fringe First for her role in Bang Bang Youre Dead. Three of her plays Double Rainbow all the Way, Kissing Ronald Reagan, and Radical Methods For Radical Heartbreak were produced at the New School for Drama, where Claire is getting her MFA in playwriting. there, she has been fortunate enough to study with Christopher Shinn, Laura Marie Censabella, Michael Weller, and Jon Robin Baitz. She is a member of the writing group, the Hindsight Collective, and her poetry has been published in explosion Proof Magazine. Whale Song Or: Learning to Live with Mobyphobia was part of Fringe NYC 2011.
Writer:
???? In the Land of Imagined Things
Story Editor:
2019 Watchmen
Supervising Producer:
2019 Watchmen
2024 The Acolyte
Writer:
2016 The OA
2019 Watchmen
2024 The Acolyte
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.