A work in constant progress (and occasional regress).
Alias:
Ugla
Birthplace:
Oslo, Norway
Born:
March 14, 1973
Ellen Ugelstad was born on March 14, 1973 in Oslo, Norway. She is a visual artist and director and known for The Green Valley (2018), The Meeting Room (2017) and Making Sense Together (2018). She made her directorial debut with the very personal documentary Indian Summer (2011) about her younger brother living with schizophrenia. She lived and studied in California for seven years and received a BFA in Motion Pictures from Academy of Art University in San Francisco before she relocated back to Oslo. She works in a variety of genres ranging from poetic documentary to music-films, hybrids and fiction.Her work often explores the thin line between sanity and insanity, the hierarchy of power and explores different forms of reality. Indian Summer was nominated for the International Young Talent Award at DOK Leipzig and Nordic Dox Award under CPH:DOX, screened at Nordische FilmTage in Lubeck, and received two nominations at the Norwegian "Emmy-Award" called Gullruten. Her films migrates between different platforms between the film world and art world. The last few years she has explored the lines between fiction and documentary and her short film "The Meetingroom" won best screenplay from the Writers Guild at the Norwegian Shortfilmfestival in 2017. Her recent work includes the film-essay Making Sense Together, which screened in competition for best Nordic Documentary at Oslo:Pix in June 2018. The Green Valley recently received the Golden Chair for best short film at the Norwegian Shortfilm festival. She is also a recipient of a five-year artist grant from the Norwegian Art Council.
Cinematography:
2011 Indian Summer
2018 Making Sense Together
Co-Producer:
2011 Indian Summer
2018 Making Sense Together
2018 The Green Valley
Director:
2011 Indian Summer
2015 I Write
2017 The Meeting Room
2018 Making Sense Together
2018 The Green Valley
2021 The Wonders Beneath the Sea
2023 The Recovery Channel
???? To Do Good
Director of Photography:
2011 Indian Summer
2015 I Write
2017 The Meeting Room
2018 Making Sense Together
2018 The Green Valley
2021 The Wonders Beneath the Sea
2023 The Recovery Channel
???? To Do Good
Producer:
2011 Indian Summer
2015 I Write
2017 The Meeting Room
2018 Making Sense Together
2018 The Green Valley
2021 The Wonders Beneath the Sea
2023 Megaheartz
2023 The Recovery Channel
???? To Do Good
Screenplay:
2011 Indian Summer
2015 I Write
2017 The Meeting Room
2018 Making Sense Together
2018 The Green Valley
2021 The Wonders Beneath the Sea
2023 Megaheartz
2023 The Recovery Channel
???? To Do Good
Sound:
2011 Indian Summer
2015 I Write
2017 The Meeting Room
2018 Making Sense Together
2018 The Green Valley
2021 The Wonders Beneath the Sea
2023 Megaheartz
2023 The Recovery Channel
???? To Do Good
Writer:
2011 Indian Summer
2015 I Write
2017 The Meeting Room
2018 Making Sense Together
2018 The Green Valley
2021 The Wonders Beneath the Sea
2023 Megaheartz
2023 The Recovery Channel
???? To Do Good
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.