A work in constant progress (and occasional regress).
Birthplace:
Latvia
Signe Birkova (1973) is a Latvian filmmaker from Riga, who first studied philosophy and journalism, and later received her master’s degree from the National Film School of the Latvian Academy of Culture. She has directed short, experimental, and documentary films, including works utilizing analogue technology and animation, as well as produced TV programs. Signe Birkova’s short film “Upon Return I’ll Be a Flaming Rose”, for which she also wrote the script, received a special FIPRESCI award in 2014. Notable among her works are the short sci-fi film “He Was Called Chaos Berzins”, which premiered in 2019 at both the Karlovy Vary International Film Festival and PÖFF, as well as the documentary “The Ring of Fire” (2021), which tells the story of the Riga Circus.
Art Direction:
2016 Pacelšanās
Director:
2014 I Shall Return as a Flaming Rose
2016 Pacelšanās
2017 Touch of Dzenis
2018 He Was Called Chaos Berzins
2021 The Ring of Fire
2024 Lotus
Director of Photography:
2014 I Shall Return as a Flaming Rose
2016 Pacelšanās
2017 Touch of Dzenis
2018 He Was Called Chaos Berzins
2021 The Ring of Fire
2024 Lotus
Editor:
2014 I Shall Return as a Flaming Rose
2016 Pacelšanās
2017 Touch of Dzenis
2018 He Was Called Chaos Berzins
2021 The Ring of Fire
2024 Lotus
Producer:
2014 I Shall Return as a Flaming Rose
2016 Pacelšanās
2017 Touch of Dzenis
2018 He Was Called Chaos Berzins
2019 Wordsmiths
2021 The Ring of Fire
2024 Lotus
Writer:
2014 I Shall Return as a Flaming Rose
2016 Only Trains Remember That
2016 Pacelšanās
2017 Touch of Dzenis
2018 He Was Called Chaos Berzins
2019 Wordsmiths
2021 The Ring of Fire
2024 Lotus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.