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Aimie Willemse

Biography from TheMovieDB

Since graduating from Visual Communication and Media Design from Abertay in 2011, Aimie Willemse has written and directed several short films across Scotland throughout her filmmaking career. Since moving to Glasgow, Aimie has been constantly challenging herself; creating new and compelling stories that will transport her audiences to new worlds through clear vision and collaboration. Her most recent short films “The Distances Between” and “Control” are perfect examples of how she experiments in different genres; one is a dialogue heavy and character driven piece while the other focuses on combining mesmerising choreography and silent narrative together. These shorts are seemingly polar opposites from each other but both serve a purpose of telling stories from a fresh perspective – which she continues to do throughout her work.

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Film Production

Director:
2016  Control
2017  Goes Without Saying
2019  All the Reasons Behind a Kiss
2019  Echo
2019  Through Your Eyes
????  Unravelling

Producer:
2016  Control
2017  Goes Without Saying
2019  All the Reasons Behind a Kiss
2019  Echo
2019  Through Your Eyes
????  Unravelling

Production Runner:
2016  Control
2017  Goes Without Saying
2019  All the Reasons Behind a Kiss
2019  Echo
2019  Through Your Eyes
2021  The Last Bus
????  Unravelling

Writer:
2016  Control
2017  Goes Without Saying
2019  All the Reasons Behind a Kiss
2019  Echo
2019  Through Your Eyes
2021  The Last Bus
????  Unravelling

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.