A work in constant progress (and occasional regress).
Adrian Langenbach is an established cinematographer and emerging director who embarks on a continuous search for new visual storytelling methods. Drawing on his experience behind the camera for features and commercials, Adrian investigates how new technical approaches can achieve not only visual innovation but also evoke profound emotional impact. His work aims to create sensory experiences, transforming the invisible and emotional into something deeply tangible and felt.
Cinematography:
2015 Die Blaue Sophia
2018 Feuertaufe
2023 Ramadan in a Day
???? MIME II
Director:
2015 Die Blaue Sophia
2018 Feuertaufe
2023 Ramadan in a Day
???? MIME II
Director of Photography:
2015 Die Blaue Sophia
2018 Feuertaufe
2019 Darkness Is A Color
2020 Dark Dreamers
2021 Zawal
2023 Ramadan in a Day
???? MIME II
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.