A work in constant progress (and occasional regress).
Zoë Coombs Marr is a performer, writer, artist and comedian. She grew up in Grafton, where she and her best friend staged a musical instead of going to schoolies week. Zoë has performed stand up comedy extensively in Australia, London and New York. Her solo show, Trigger Warning, won the 2016 Melbourne Comedy Festival Award for Most Outstanding Show as well as the Golden Gibbo, and two Green Room Awards. It was also nominated for Best Show at the 2016 Edinburgh Fringe Festival and the 2017 Victorian Premier’s Literary Award for Drama. In 2008 Zoë completed a double degree in Performance Studies at UNSW and Fine Arts at COFA, where she was awarded the Dinosaur Designs Prize and the Art and Australia Award. Her video works and sculptures have been exhibited at a number of galleries, including First Draft, Kudos and King’s ARI and in 2006 she won the National Poetry Slam Championships under dubious circumstances. In 2012, her solo theatre/comedy work And That Was The Summer That Changed My Life was awarded the Philip Parsons Young Playwright Award and was nominated for Best Newcomer at the Melbourne International Comedy Festival. Other works include Gone Off or I’ve Been Everywhere, Man (Old Fitzroy Theatre, MCF 2012, SMAC award Best On Stage 2012) and Dave (MCF 2013, Edinburgh Fringe, Soho Theatre, London). Zoë’s five-woman ensemble play Is This Thing On? was presented at Belvoir Theatre in 2014. Zoë is also one third of the contemporary performance company post. Most recently, post’s work Oedipus Schmoedipus was presented at Belvoir for Sydney Festival, Arts House Melbourne, and won a Green Room award for best experimental text. post’s other works include: Who’s The Best? (Sydney Theatre Company, Melbourne Arts House, Brisbane Powerhouse, Darwin Festival, and Noorderzon Festival, NL, 2011-2013), Everything I Know About The Global Financial Crisis In One Hour (Belvoir Theatre, 2010), Shamelessly Glitzy Work (Performance Space Sydney, Melbourne Arts House, Brisbane Powerhouse) and their newest work Ich Nibber Dibber played at Melbourne’s Malthouse Theatre and the Sydney Opera House in 2018. Zoë filmed Trigger Warning as part of the Next Gen series, was a regular panel member on Dirty Laundry Live, and has also been seen on Cram (Ten), ABC’S The Chaser’s Media Circus, How Not To Behave, Backseat Drivers, and Live at Bella Union (SBS). In 2017, Zoë’s theatrical collaboration with Ursula Martinez and Adrienne Truscott, Wild Bore, premiered at the Malthouse Theatre and went on to be performed at the Soho Theatre, Edinburgh Fringe and at the Skirball Centre at NYU. Since 2013 Zoë most frequently appeared in comedy circles (including in her award-winning show Trigger Warning) as Dave, a retrograde male comedian with a neck beard. But in 2018 she appeared as herself, sans Dave’s neck beard, with her hit festival offering Bossy Bottom. The show saw Zoe nominated for Best Comedy Performer at the Helpmann Awards and won her a prestigious Herald Angel Award in Edinburgh. Bossy Bottom has been filmed for international release on Amazon Prime Video in 2020.
Writer:
2020 Zoë Coombs Marr: Bossy Bottom
Writer:
2023 Queerstralia
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.