A work in constant progress (and occasional regress).
Birthplace:
Clawson, Michigan, USA
Born:
June 21, 1976
Dan Scanlon (born June 21, 1976) is an American animator, storyboard artist and director, working for Pixar, for whom he has directed Monsters University and Onward. Scanlon was an animator for Pocahontas II: Journey to a New World, The Indescribable Nth and Joseph: King of Dreams. He served as a storyboard artist for The Little Mermaid II: Return to the Sea and 101 Dalmatians II: Patch's London Adventure. Scanlon joined Pixar in 2001, where he was a story artist for Cars and Toy Story 3. He co-directed the short film Mater and the Ghostlight. He illustrated part one of Unmentionables, a comic book written by his wife, Michele Scanlon, and wrote and directed the live-action feature film Tracy. Tracy was Scanlon's first feature film as a writer/director. He also served as a member of the senior creative team on Brave and Inside Out. Scanlon and his wife Michele live in San Francisco and work together on projects under the production company name Caveat Productions.
Co-Director:
2006 Mater and the Ghostlight
Director:
2006 Mater and the Ghostlight
2009 Tracy
2013 Monsters University
2020 Onward
Executive Producer:
2006 Mater and the Ghostlight
2009 Tracy
2013 Monsters University
2014 Party Central
2020 Onward
2020 Soul
2022 Turning Red
2024 Inside Out 2
Original Story:
2006 Mater and the Ghostlight
2009 Tracy
2013 Monsters University
2014 Party Central
2020 Onward
2020 Soul
2022 Turning Red
2024 Inside Out 2
Screenplay:
2006 Mater and the Ghostlight
2009 Tracy
2013 Monsters University
2014 Party Central
2020 Onward
2020 Soul
2022 Turning Red
2024 Inside Out 2
Storyboard Artist:
2006 Cars
2006 Mater and the Ghostlight
2009 Tracy
2013 Monsters University
2014 Party Central
2020 Onward
2020 Soul
2022 Turning Red
2024 Inside Out 2
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.