John Choi

Alias:
John Seongho Choi

John Seongho Choi (최성호) is a Canadian-South Korean filmmaker based in Toronto, Ontario. In 1992, right after graduating in Fine Arts at York University, he moved straight to New York City where he worked as a stills photographer assistant. He soon shifted gears towards the motion picture film industry, and he worked at the ARRI Motion Picture Company NYC equipment rental house. He later pursued a film crew freelance career as a camera assistant/focus puller and joined I.A.T.S.E. Local 644 East Coast Camera Union in 1996. As the union merged into Local 600 The International Cinematographers Guild, he was hired on films productions in New York City and abroad including Godzilla, In Dreams, 54, The Bone Collector, 28 Days, Hurricane, The Out Of Towners, and O Brother Where Art Thou? He moved back to Toronto in 2005 and collaborated on numerous music videos for bands. He segued into directing television and factual true crime series. In 2006, he founded his own production company, Playground Films. In 2015, he released his first feature documentary film, Lost & Found. He also directed the feature documentary film Spaceman in 2019.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.