A work in constant progress (and occasional regress).
He started working with audiovisual in 1995, making short films and institutional films, and graduated in Journalism at the Pontifical Catholic University of Paraná, where he also completed a specialization course in History of Art in 1998. In 1996 he moved to the United States, where he studied Film for one year at the University of California, Los Angeles. Back in Brazil he worked at TV Bandeirantes Curitiba, doing special projects production. He spent the next two years as a journalist for the newspaper Jornal do Estado. In 2000 he directed his first documentary, Memória do Futebol Paranaense, and wrote the script for the animated short film Metamorfose, which won the Best Animation prize at the Festival of Maranhão. After that he produced and directed the documentary Guido Viaro – Um Retrato Coletivo, about the Italian-Brazilian fine artist Guido Viaro, and the short fiction film Mandarim, nominated for several Brazilian festivals. In 2009, he directed the medium-length documentary Carrascos – Artistas do Ringue, about fighters from the golden era of staged fights on Brazilian TV (known as telecatch). He also directed two more documentaries: Pescadores de Tainha, with the photographer Leonardo Régnier, and Teatro Político – Uma História de Utopia, with the journalist Ana Carolina Caldas. In 2012, he wrote and directed the short documentary film Um Filme de Bonecos, a look into wire puppets.
Director:
2018 The Blessed
???? Carrascos - Artistas do Ringue
Screenplay:
2018 The Blessed
???? Carrascos - Artistas do Ringue
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.