A work in constant progress (and occasional regress).
Alias:
Maciej Hamela
Birthplace:
Warsaw, Poland
Maciek Hamela is a Polish film and radio producer, director, scriptwriter. Born in Warsaw, Poland, he received a master's degree from Sorbonne University (Paris IV) in French literature and studied film directing at École Internationale de Création Audiovisuelle et de Réalisation (EICAR). Director and producer of a feature documentary "In the Rearview" that screened at Cannes Film Festival and TIFF and won main prizes at Sheffield DocFest, Zurich Film Festival and Hamburg FilmFest. A co-creator of a documentary short film "Bless You", which received a Doc Alliance Award within the Cannes Docs program (Cannes FF 2021). He produced films such as "Convictions" (MDR Film Prize for an outstanding Eastern European documentary film at Dok Leipzig IFF 2016), "Gatherers of Sea Grass" or "Parquet". Being a director and a producer of various radio works he has received the Silver Melchior Radio Award for the Premiere of the Year 2018 in the Polish Radio Reporters National Competition. He produced and co-directed "Plan B", a documentary podcast series for Audioteka.
Assistant Director:
2009 Miracle
2011 My Wife's Romance
Assistant Production Manager:
2006 Francuski numer
2006 Loneliness in the Net
2009 Miracle
2010 Miracle Seller
2011 My Wife's Romance
Associate Producer:
2006 Francuski numer
2006 Loneliness in the Net
2009 Miracle
2010 Miracle Seller
2011 My Wife's Romance
2018 The Day of Chocolate
Co-Producer:
2006 Francuski numer
2006 Loneliness in the Net
2009 Miracle
2010 Miracle Seller
2011 My Wife's Romance
2016 Polonaise
2018 The Day of Chocolate
2021 Parquet
Director:
2006 Francuski numer
2006 Loneliness in the Net
2009 Miracle
2010 Miracle Seller
2011 Bonne Chance
2011 My Wife's Romance
2016 Polonaise
2018 The Day of Chocolate
2020 Bless You!
2021 Parquet
2023 In the Rearview
Director of Photography:
2006 Francuski numer
2006 Loneliness in the Net
2009 Miracle
2010 Miracle Seller
2011 Bonne Chance
2011 My Wife's Romance
2016 Polonaise
2017 A ma mesure
2018 The Day of Chocolate
2020 Bless You!
2021 Parquet
2023 In the Rearview
Executive Producer:
2006 Francuski numer
2006 Loneliness in the Net
2009 Miracle
2010 Miracle Seller
2011 Bonne Chance
2011 My Wife's Romance
2016 Krojanty Charge
2016 Polonaise
2017 A ma mesure
2018 The Day of Chocolate
2020 Bless You!
2021 Parquet
2023 In the Rearview
Producer:
2006 Francuski numer
2006 Loneliness in the Net
2009 Miracle
2010 Miracle Seller
2011 Bonne Chance
2011 My Wife's Romance
2016 Convictions
2016 Gatherers of Sea Grass
2016 Krojanty Charge
2016 Merci Docteur
2016 Polonaise
2017 A ma mesure
2017 Crash Test Aglae
2018 The Day of Chocolate
2020 Bless You!
2021 Parquet
2023 In the Rearview
Production Manager:
2006 Francuski numer
2006 Loneliness in the Net
2009 Miracle
2010 Miracle Seller
2011 Bonne Chance
2011 My Wife's Romance
2015 Raging Rose
2016 Convictions
2016 Gatherers of Sea Grass
2016 Krojanty Charge
2016 Merci Docteur
2016 Polonaise
2017 A ma mesure
2017 Crash Test Aglae
2018 The Day of Chocolate
2020 Bless You!
2021 Parquet
2023 In the Rearview
Second Assistant Director:
2006 Francuski numer
2006 Loneliness in the Net
2008 Portuguese Man O'War
2009 Miracle
2010 Miracle Seller
2011 Bonne Chance
2011 My Wife's Romance
2015 Raging Rose
2016 Convictions
2016 Gatherers of Sea Grass
2016 Krojanty Charge
2016 Merci Docteur
2016 Polonaise
2017 A ma mesure
2017 Crash Test Aglae
2018 The Day of Chocolate
2020 Bless You!
2021 Parquet
2023 In the Rearview
Sound Recordist:
2006 Francuski numer
2006 Loneliness in the Net
2008 Portuguese Man O'War
2009 Miracle
2010 Miracle Seller
2011 Bonne Chance
2011 My Wife's Romance
2012 The Broken Tower
2015 Raging Rose
2016 Convictions
2016 Gatherers of Sea Grass
2016 Krojanty Charge
2016 Merci Docteur
2016 Polonaise
2017 A ma mesure
2017 Crash Test Aglae
2018 The Day of Chocolate
2020 Bless You!
2021 Parquet
2023 In the Rearview
Thanks:
2006 Francuski numer
2006 Loneliness in the Net
2008 Portuguese Man O'War
2009 Miracle
2010 Miracle Seller
2011 Bonne Chance
2011 My Wife's Romance
2012 The Broken Tower
2015 Raging Rose
2016 Convictions
2016 Gatherers of Sea Grass
2016 Krojanty Charge
2016 Merci Docteur
2016 Polonaise
2017 A ma mesure
2017 Crash Test Aglae
2018 The Day of Chocolate
2020 Bless You!
2021 Parquet
2022 Klondike
2023 In the Rearview
Translator:
2006 Francuski numer
2006 Loneliness in the Net
2008 Portuguese Man O'War
2009 Miracle
2010 Miracle Seller
2011 Bonne Chance
2011 My Wife's Romance
2012 The Broken Tower
2015 Raging Rose
2016 Convictions
2016 Gatherers of Sea Grass
2016 Krojanty Charge
2016 Merci Docteur
2016 Polonaise
2017 A ma mesure
2017 Crash Test Aglae
2018 The Day of Chocolate
2020 Bless You!
2021 Parquet
2022 Klondike
2023 In the Rearview
Writer:
2006 Francuski numer
2006 Loneliness in the Net
2008 Portuguese Man O'War
2009 Miracle
2010 Miracle Seller
2011 Bonne Chance
2011 My Wife's Romance
2012 The Broken Tower
2015 Raging Rose
2016 Convictions
2016 Gatherers of Sea Grass
2016 Krojanty Charge
2016 Merci Docteur
2016 Polonaise
2017 A ma mesure
2017 Crash Test Aglae
2018 The Day of Chocolate
2020 Bless You!
2021 Parquet
2022 Klondike
2023 In the Rearview
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.