A work in constant progress (and occasional regress).
Assistant Director:
2011 Alicudi 1 Bella
2011 Alicudi 2 Selvaggia
2011 Alicudi 3 Lontana
Cinematography:
2011 Alicudi 1 Bella
2011 Alicudi 2 Selvaggia
2011 Alicudi 3 Lontana
2014 Det Snöar om Börken
Director:
1993 With black ink
2003 Lettre adressée à Leïla pendant les vacances avec ses amis
2004 Téo
2006 Orsay (Musées imaginaires I)
2009 "B" as Jazz
2011 Alicudi 1 Bella
2011 Alicudi 2 Selvaggia
2011 Alicudi 3 Lontana
2011 Personal Narrative of a Journey to the Equinoctial Regions of the New Continent: José Lezama Lima, the hereafter thereafter
2013 Quai Branly (Musées imaginaires II)
2014 Burning Bright
2014 Det Snöar om Börken
2015 Salomé
2018 Nyårsfesten
2021 Cloud Reading Society
???? Sei personnagi in cerca di un rospo enorme
Director of Photography:
1993 With black ink
2003 Lettre adressée à Leïla pendant les vacances avec ses amis
2004 Téo
2006 Orsay (Musées imaginaires I)
2009 "B" as Jazz
2011 Alicudi 1 Bella
2011 Alicudi 2 Selvaggia
2011 Alicudi 3 Lontana
2011 Personal Narrative of a Journey to the Equinoctial Regions of the New Continent: José Lezama Lima, the hereafter thereafter
2013 Quai Branly (Musées imaginaires II)
2014 Burning Bright
2014 Det Snöar om Börken
2015 Salomé
2016 MEDUSA
2018 Nyårsfesten
2021 Cloud Reading Society
???? Sei personnagi in cerca di un rospo enorme
Editor:
1993 With black ink
2003 Lettre adressée à Leïla pendant les vacances avec ses amis
2004 Téo
2006 Orsay (Musées imaginaires I)
2009 "B" as Jazz
2011 Alicudi 1 Bella
2011 Alicudi 2 Selvaggia
2011 Alicudi 3 Lontana
2011 Personal Narrative of a Journey to the Equinoctial Regions of the New Continent: José Lezama Lima, the hereafter thereafter
2013 Quai Branly (Musées imaginaires II)
2014 Burning Bright
2014 Det Snöar om Börken
2015 Salomé
2016 MEDUSA
2018 Nyårsfesten
2021 Cloud Reading Society
???? Sei personnagi in cerca di un rospo enorme
Post Production Assistant:
1993 With black ink
2003 Lettre adressée à Leïla pendant les vacances avec ses amis
2004 Téo
2006 Orsay (Musées imaginaires I)
2009 "B" as Jazz
2011 Alicudi 1 Bella
2011 Alicudi 2 Selvaggia
2011 Alicudi 3 Lontana
2011 Personal Narrative of a Journey to the Equinoctial Regions of the New Continent: José Lezama Lima, the hereafter thereafter
2013 Quai Branly (Musées imaginaires II)
2014 Burning Bright
2014 Det Snöar om Börken
2015 Salomé
2016 MEDUSA
2018 Nyårsfesten
2021 Cloud Reading Society
???? Sei personnagi in cerca di un rospo enorme
???? Un monde nouveau
Sound:
1993 With black ink
2003 Lettre adressée à Leïla pendant les vacances avec ses amis
2004 Téo
2006 Orsay (Musées imaginaires I)
2009 "B" as Jazz
2011 Alicudi 1 Bella
2011 Alicudi 2 Selvaggia
2011 Alicudi 3 Lontana
2011 Personal Narrative of a Journey to the Equinoctial Regions of the New Continent: José Lezama Lima, the hereafter thereafter
2013 Quai Branly (Musées imaginaires II)
2014 Burning Bright
2014 Det Snöar om Börken
2015 Salomé
2016 MEDUSA
2018 Nyårsfesten
2021 Cloud Reading Society
???? Sei personnagi in cerca di un rospo enorme
???? Un monde nouveau
Writer:
1993 With black ink
2003 Lettre adressée à Leïla pendant les vacances avec ses amis
2004 Téo
2006 Orsay (Musées imaginaires I)
2009 "B" as Jazz
2011 Alicudi 1 Bella
2011 Alicudi 2 Selvaggia
2011 Alicudi 3 Lontana
2011 Personal Narrative of a Journey to the Equinoctial Regions of the New Continent: José Lezama Lima, the hereafter thereafter
2013 Quai Branly (Musées imaginaires II)
2014 Burning Bright
2014 Det Snöar om Börken
2015 Salomé
2016 MEDUSA
2018 Nyårsfesten
2021 Cloud Reading Society
???? Sei personnagi in cerca di un rospo enorme
???? Un monde nouveau
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.