A work in constant progress (and occasional regress).
Alexis Jacknow is a Los Angeles based, multidisciplinary storyteller. She recently completed her feature film, Clock (2023), a psychological thriller starring Dianna Agron and Melora Hardin. Her debut short film, Again, world premiered in competition at the Tribeca Film Festival and was distributed by Amazon. Her other shorts include Clock (Hulu), Costume Change (FX/Freeform), and Overnight (Netflix) which garnered her a WGA Award Nomination for Short Form Original. She is in development on her drama, The Villager (2019 IFP Week No Borders Selection), as well as her horror feature, The Blindings with 21 Laps. She is also producing the upcoming horror feature, Ice Cream Man. Alexis has over a decade of theater directing experience, during which she has helmed National Tours, World Premieres, and Audie Award winning radio plays. She sits on faculty at UCLA's Department of Theater. As an actor, her career spans film, television, theater, and dozens of national commercials. She holds a B.F.A. in Acting from New York University's Tisch School of the Arts and is a proud member of the WGA, SAG/AFTRA, AEA, and SDC.
Director:
2017 Again
2020 Clock
2020 Costume Change
2023 Clock
Producer:
2017 Again
2020 Clock
2020 Costume Change
2023 Clock
2023 Fudgie Freddie
Screenplay:
2017 Again
2020 Clock
2020 Costume Change
2023 Clock
2023 Fudgie Freddie
Director:
2018 Love Daily
Writer:
2018 Love Daily
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.