A work in constant progress (and occasional regress).
Alias:
Alex K. Aldridge
Paula J. DiSante
MFA in Film Production, USC School of Cinematic Arts. Paula DiSante, an award-winning screenwriter, has more than three decades of story analysis and script consulting experience, and has worked for studios and production companies such as Republic Pictures International, Spring Creek Productions, Warner Bros., for producers at Paramount Pictures, as well as for a number of independent producers, and for individual screenwriters. Home town is Grosse Pointe, Michigan.
Props:
2009 Born of Hope
Screenplay:
2009 Born of Hope
Thanks:
2009 Born of Hope
2015 Tab Hunter Confidential
Weapons Master:
2009 Born of Hope
2015 Tab Hunter Confidential
Writer:
2009 Born of Hope
2015 Tab Hunter Confidential
2016 The Rangers
Props:
2016 Ren: The Girl with the Mark
Weapons Master:
2016 Ren: The Girl with the Mark
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.