Julian Roffman (1915-2000)

Birthplace:
Montreal, Quebec, Canada

Born:
December 13, 1915

Died:
November 7, 2000

Julian Roffman was a cross-border director who made most of his films in the United States. He was responsible for two notable low-budget horror films: The Bloody Brood and The Mask, the first feature to use 3-D in Canada. He studied film in New York and in 1940 joined the NFB where he became responsible for the Armed Service Production program. In the late 1950s, he joined forces with distributor Nat Taylor to form Taylor-Roffman Productions and produce the two features.

Additional information:

The Search Form


Action Director:
1979  The Glove

Co-Producer:
1965  Spy in Your Eye
1979  The Glove

Director:
1940  And So They Live
1944  Proudest Girl in the World
1951  Farewell to Childhood
1952  FDR Hyde Park
1954  Freedom to Read
1959  The Bloody Brood
1961  The Mask
1965  Spy in Your Eye
1979  The Glove

Director of Photography:
1940  And So They Live
1944  Proudest Girl in the World
1951  Farewell to Childhood
1952  FDR Hyde Park
1954  Freedom to Read
1959  The Bloody Brood
1961  The Mask
1965  Spy in Your Eye
1979  The Glove

Producer:
1940  And So They Live
1944  Proudest Girl in the World
1950  Sarumba
1951  Farewell to Childhood
1952  FDR Hyde Park
1954  Freedom to Read
1959  The Bloody Brood
1961  The Mask
1965  Spy in Your Eye
1969  Explosion
1973  The Pyx
1979  The Glove

Screenplay:
1940  And So They Live
1944  Proudest Girl in the World
1950  Sarumba
1951  Farewell to Childhood
1952  FDR Hyde Park
1954  Freedom to Read
1959  The Bloody Brood
1961  The Mask
1965  Spy in Your Eye
1969  Explosion
1973  The Pyx
1979  The Glove

Supervising Editor:
1940  And So They Live
1944  Proudest Girl in the World
1950  Sarumba
1951  Farewell to Childhood
1952  FDR Hyde Park
1954  Freedom to Read
1959  The Bloody Brood
1961  The Mask
1965  Spy in Your Eye
1969  Explosion
1973  The Pyx
1979  The Glove

Writer:
1940  And So They Live
1944  Proudest Girl in the World
1950  Sarumba
1951  Farewell to Childhood
1952  FDR Hyde Park
1954  Freedom to Read
1959  The Bloody Brood
1961  The Mask
1965  Spy in Your Eye
1969  Explosion
1973  The Pyx
1979  The Glove
1987  Shades of Love: Champagne for Two
1987  Shades of Love: The Garnet Princess
1987  Shades of Love: The Rose Cafe

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.