Jeremy Earp

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Jeremy Earp is the production director of the Media Education Foundation (MEF). He has directed, co-directed, produced, written and co-written over a dozen MEF films on the social, political and cultural impact of corporate media and political propaganda, including “Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire” (2004); “War Made Easy: How Presidents & Pundits Keep Spinning Us to Death” (2007); “Not Just a Game: Power, Politics & American Sports” (2010); “The Purity Myth: The Virginity Movement’s War on Women” (2011); “Tough Guise 2: Violence, Manhood & American Culture” (2013), “The Great White Hoax: Donald Trump and the Politics of Race & Class in America” (2017); and “The Bystander Moment: Transforming Rape Culture at Its Roots” (2018). Prior to joining MEF in 2002, Earp taught at New School University and Parsons School of Design in New York City, at the Art Institute of Boston and Northeastern University in Massachusetts, and worked as a news and sports reporter for a daily newspaper in the Greater Boston area.

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Director:
2004  Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire
2006  Reel Bad Arabs: How Hollywood Vilifies a People
2007  Consuming Kids: The Commercialization of Childhood
2007  War Made Easy
2008  Blood and Oil
2010  Not Just a Game
2010  The Mean World Syndrome
2011  The Purity Myth
2016  The Occupation of the American Mind
2018  Advertising at the Edge of the Apocalypse
2018  Digital Disconnect
2022  Behind the Shield: The Power and Politics of the NFL
????  The Bystander Moment
????  The Great White Hoax

Editor:
2004  Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire
2006  Reel Bad Arabs: How Hollywood Vilifies a People
2007  Consuming Kids: The Commercialization of Childhood
2007  War Made Easy
2008  Blood and Oil
2010  Not Just a Game
2010  The Mean World Syndrome
2011  The Purity Myth
2016  The Occupation of the American Mind
2018  Advertising at the Edge of the Apocalypse
2018  Digital Disconnect
2022  Behind the Shield: The Power and Politics of the NFL
????  The Bystander Moment
????  The Great White Hoax

Executive Producer:
2004  Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire
2006  Reel Bad Arabs: How Hollywood Vilifies a People
2007  Consuming Kids: The Commercialization of Childhood
2007  Freedom of Expression: Resistance & Repression in the Age of Intellectual Property
2007  War Made Easy
2008  Blood and Oil
2010  Not Just a Game
2010  The Mean World Syndrome
2011  The Purity Myth
2016  The Occupation of the American Mind
2018  Advertising at the Edge of the Apocalypse
2018  Digital Disconnect
2020  The Man Card
2022  Behind the Shield: The Power and Politics of the NFL
????  The Bystander Moment
????  The Great White Hoax

Producer:
2004  Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire
2006  Reel Bad Arabs: How Hollywood Vilifies a People
2007  Consuming Kids: The Commercialization of Childhood
2007  Freedom of Expression: Resistance & Repression in the Age of Intellectual Property
2007  War Made Easy
2008  Blood and Oil
2010  Not Just a Game
2010  The Mean World Syndrome
2011  The Purity Myth
2016  The Occupation of the American Mind
2018  Advertising at the Edge of the Apocalypse
2018  Digital Disconnect
2020  The Man Card
2022  Behind the Shield: The Power and Politics of the NFL
????  The Bystander Moment
????  The Great White Hoax

Script Coordinator:
2004  Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire
2006  Reel Bad Arabs: How Hollywood Vilifies a People
2007  Consuming Kids: The Commercialization of Childhood
2007  Freedom of Expression: Resistance & Repression in the Age of Intellectual Property
2007  War Made Easy
2008  Blood and Oil
2010  Not Just a Game
2010  The Codes of Gender
2010  The Mean World Syndrome
2011  The Purity Myth
2016  The Occupation of the American Mind
2018  Advertising at the Edge of the Apocalypse
2018  Digital Disconnect
2020  The Man Card
2022  Behind the Shield: The Power and Politics of the NFL
????  The Bystander Moment
????  The Great White Hoax

Story Editor:
2004  Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire
2006  Reel Bad Arabs: How Hollywood Vilifies a People
2007  Consuming Kids: The Commercialization of Childhood
2007  Freedom of Expression: Resistance & Repression in the Age of Intellectual Property
2007  War Made Easy
2008  Blood and Oil
2010  Not Just a Game
2010  The Codes of Gender
2010  The Mean World Syndrome
2011  The Purity Myth
2012  Flirting with Danger: Power & Choice in Heterosexual Relationships
2016  The Occupation of the American Mind
2018  Advertising at the Edge of the Apocalypse
2018  Digital Disconnect
2020  The Man Card
2022  Behind the Shield: The Power and Politics of the NFL
????  The Bystander Moment
????  The Great White Hoax

Writer:
1999  Tough Guise: Violence, Media & the Crisis in Masculinity
2004  Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire
2006  Reel Bad Arabs: How Hollywood Vilifies a People
2007  Consuming Kids: The Commercialization of Childhood
2007  Freedom of Expression: Resistance & Repression in the Age of Intellectual Property
2007  War Made Easy
2008  Blood and Oil
2010  Not Just a Game
2010  The Codes of Gender
2010  The Mean World Syndrome
2011  The Purity Myth
2012  Flirting with Danger: Power & Choice in Heterosexual Relationships
2013  White Like Me
2016  The Occupation of the American Mind
2018  Advertising at the Edge of the Apocalypse
2018  Digital Disconnect
2020  The Man Card
2022  Behind the Shield: The Power and Politics of the NFL
????  The Bystander Moment
????  The Great White Hoax

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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