A work in constant progress (and occasional regress).
Pierre Excoffier is a French audio engineer. He won the César Award for Best Sound in 2010. He is also a teacher at La Fémis. Source: Article "Pierre Excoffier" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Additional Camera:
2002 How we made Asterix & Obelix: Mission Cleopatra
Director:
1999 Ouvertures faciles
2002 How we made Asterix & Obelix: Mission Cleopatra
2002 Total Art
Director of Photography:
1999 Ouvertures faciles
2002 How we made Asterix & Obelix: Mission Cleopatra
2002 Total Art
Scenario Writer:
1999 Ouvertures faciles
2002 How we made Asterix & Obelix: Mission Cleopatra
2002 Total Art
Sound:
1981 Le Dos au mur
1983 Sugar Cane Alley
1990 I Have You Under My Skin
1991 Djembefola
1992 Au Sud du Sud
1995 The City of Lost Children
1996 A Saturday on Earth
1999 Ouvertures faciles
2002 Asterix & Obelix: Mission Cleopatra
2002 How we made Asterix & Obelix: Mission Cleopatra
2002 Total Art
2004 RRRrrrr!!!
2005 How Much Do You Love Me?
2006 Don't Worry, I'm Fine
2009 The Concert
2012 HOUBA! On the Trail of the Marsupilami
2019 New Biz in the Hood
Sound Designer:
1981 Le Dos au mur
1983 Sugar Cane Alley
1990 I Have You Under My Skin
1991 Djembefola
1992 Au Sud du Sud
1995 The City of Lost Children
1996 A Saturday on Earth
1999 Ouvertures faciles
2002 Asterix & Obelix: Mission Cleopatra
2002 How we made Asterix & Obelix: Mission Cleopatra
2002 Total Art
2004 RRRrrrr!!!
2005 How Much Do You Love Me?
2006 Don't Worry, I'm Fine
2007 Could This Be Love?
2009 The Concert
2012 HOUBA! On the Trail of the Marsupilami
2019 New Biz in the Hood
Sound Engineer:
1981 Le Dos au mur
1983 Sugar Cane Alley
1990 I Have You Under My Skin
1991 Djembefola
1992 Au Sud du Sud
1995 The City of Lost Children
1996 A Saturday on Earth
1997 The Fifth Element
1998 Train of Life
1999 Ouvertures faciles
2002 Asterix & Obelix: Mission Cleopatra
2002 How we made Asterix & Obelix: Mission Cleopatra
2002 Total Art
2004 RRRrrrr!!!
2005 How Much Do You Love Me?
2006 Don't Worry, I'm Fine
2007 Could This Be Love?
2009 The Concert
2012 HOUBA! On the Trail of the Marsupilami
2017 The Brigade
2019 New Biz in the Hood
Sound Mixer:
1981 Le Dos au mur
1983 Sugar Cane Alley
1990 I Have You Under My Skin
1991 Djembefola
1992 Au Sud du Sud
1995 The City of Lost Children
1996 A Saturday on Earth
1997 The Fifth Element
1998 Train of Life
1999 Ouvertures faciles
2002 Asterix & Obelix: Mission Cleopatra
2002 How we made Asterix & Obelix: Mission Cleopatra
2002 Total Art
2004 RRRrrrr!!!
2005 How Much Do You Love Me?
2006 Don't Worry, I'm Fine
2007 Could This Be Love?
2009 The Concert
2012 HOUBA! On the Trail of the Marsupilami
2017 Christmas & Co.
2017 The Brigade
2019 New Biz in the Hood
2022 The Nannies
Sound Recordist:
1981 Le Dos au mur
1983 Sugar Cane Alley
1990 I Have You Under My Skin
1991 Djembefola
1991 Europa
1992 Au Sud du Sud
1995 The City of Lost Children
1996 A Saturday on Earth
1997 The Fifth Element
1998 Train of Life
1999 Ouvertures faciles
2002 Asterix & Obelix: Mission Cleopatra
2002 How we made Asterix & Obelix: Mission Cleopatra
2002 Total Art
2004 RRRrrrr!!!
2005 How Much Do You Love Me?
2006 Don't Worry, I'm Fine
2007 Could This Be Love?
2009 The Concert
2012 HOUBA! On the Trail of the Marsupilami
2017 Christmas & Co.
2017 The Brigade
2019 New Biz in the Hood
2022 The Nannies
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.