A work in constant progress (and occasional regress).
Sérgio Péo was born in Pará in 1947 and at the age of 12 he moved to Rio de Janeiro, where he lives. He is an architect / urban planner, filmmaker, poet, visual artist. He studied architecture and urbanism at the Federal University of Rio de Janeiro and soon started to use cinema to question housing conditions and urban behavior in the city. His films Pira (1972), Na Maré Com Ho Chi Minh (1974), Rocinha Brasil 77, (awarded at the Jornada de Salvador and honorable mention at the Obenhauser Festival, Germany); Associação dos Moradores dos Guararapes (best short film at the Gramado Festival in 1979), and Urban Contradictions (1981) address these issues.
Director:
1972 Pira
1974 Esplendor do Martírio
1977 Rocinha Brasil 77
1978 Cinemação Curtametralha
1979 Associação de Moradores do Guararape
1980 A, B, C, Brasil
1980 Cinemas Fechados
1981 Contradições Urbanas
1986 O Muro
1991 Ñanderú - Panorâmica Tupinambá
1996 Rocinha 76/96
2000 Olho no Olho
2005 O Ouro de Serra Pelada
2006 Pênalti - A Transgressão
2009 Monumento a Uruçumirim
2009 Rio Uruçumirim
2010 Marajó: A Origem das Águas
2012 Mutirão de Limpeza do Rio Carioca
Editor:
1972 Pira
1974 Esplendor do Martírio
1977 Rocinha Brasil 77
1978 Cinemação Curtametralha
1979 Associação de Moradores do Guararape
1980 A, B, C, Brasil
1980 Cinemas Fechados
1981 Contradições Urbanas
1986 O Muro
1991 Ñanderú - Panorâmica Tupinambá
1996 Rocinha 76/96
2000 Olho no Olho
2005 O Ouro de Serra Pelada
2006 Pênalti - A Transgressão
2009 Monumento a Uruçumirim
2009 Rio Uruçumirim
2010 Marajó: A Origem das Águas
2012 Mutirão de Limpeza do Rio Carioca
Producer:
1972 Pira
1974 Esplendor do Martírio
1977 Rocinha Brasil 77
1978 Cinemação Curtametralha
1979 Associação de Moradores do Guararape
1980 A, B, C, Brasil
1980 Cinemas Fechados
1981 Contradições Urbanas
1986 O Muro
1991 Ñanderú - Panorâmica Tupinambá
1996 Rocinha 76/96
2000 Olho no Olho
2005 O Ouro de Serra Pelada
2006 Pênalti - A Transgressão
2009 Monumento a Uruçumirim
2009 Rio Uruçumirim
2010 Marajó: A Origem das Águas
2012 Mutirão de Limpeza do Rio Carioca
Screenplay:
1972 Pira
1974 Esplendor do Martírio
1977 Rocinha Brasil 77
1978 Cinemação Curtametralha
1979 Associação de Moradores do Guararape
1980 A, B, C, Brasil
1980 Cinemas Fechados
1981 Contradições Urbanas
1986 O Muro
1991 Ñanderú - Panorâmica Tupinambá
1996 Rocinha 76/96
2000 Olho no Olho
2005 O Ouro de Serra Pelada
2006 Pênalti - A Transgressão
2009 Monumento a Uruçumirim
2009 Rio Uruçumirim
2010 Marajó: A Origem das Águas
2012 Mutirão de Limpeza do Rio Carioca
Writer:
1972 Pira
1974 Esplendor do Martírio
1977 Rocinha Brasil 77
1978 Cinemação Curtametralha
1979 Associação de Moradores do Guararape
1980 A, B, C, Brasil
1980 Cinemas Fechados
1981 Contradições Urbanas
1986 O Muro
1991 Ñanderú - Panorâmica Tupinambá
1996 Rocinha 76/96
2000 Olho no Olho
2005 O Ouro de Serra Pelada
2006 Pênalti - A Transgressão
2009 Monumento a Uruçumirim
2009 Rio Uruçumirim
2010 Marajó: A Origem das Águas
2012 Mutirão de Limpeza do Rio Carioca
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.