Diana Reichenbach

Diana Reichenbach is an award-winning multimedia artist specializing in immersive and architectural media. She creates immersive experiences inspired by personal, introspective moments that have challenged her perception. Her work breaks the traditional frame of filmmaking and explores 360 degree space through fulldome filmmaking, architectural installation, projection mapping, and interactive experiments. Reichenbach is a recipient of the 2017 Bowen Award for excellence in research, the 2014 ‘Best Use of Dome’ award at Fulldome UK, a 2013 ’Science, Art and Culture” award from the 1st Russian Fulldome Festival, and was a 2009 Student Academy Awards regional finalist. She has served on juries for the Denver Film Festival, academy-qualifying RiverRun Film Festival, and the Cannonball Miami Wavemaker Grant program. Reichenbach’s work has notably been exhibited at the Virgin Airways clubhouse at LAX, Light City Baltimore Festival of Lights, HUBweek: A Festival for the Future, the Director’s Guild in Los Angeles, Burning Man Festival, Bonnaroo: Pageant of the Cosmos presented by Adult Swim, RiverRun Film Festival, Punta Y Raya Festival, and Anima Mundi.  Select presentations include the 2015 Designing for Domes Symposium in Singapore, the 2014 Fulldome Festival in Jena, Germany, and the 2013 Society for Animation Studies conference in Los Angeles. Notable published works include a chapter entitled Losing Time and Space: Experiencing Immersion, part of the cross-disciplinary Springer-published text Space, Time and the Limits of Human Understanding, including authors such as Noam Chomsky.  She earned her BA in Anthropology and BS in Telecommunications from the University of Florida and her MFA in Animation and Digital Arts from the University of Southern California. In addition to current independent and professional projects, she is a Professor of Animation at Savannah College of Art and Design.

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Director:
2011  0.1.
2014  Infinite Horizons
2014  Tren Italia
2017  Stardancer's Waltz
2018  SONOLUMIN
2021  Finding Tyler
2022  Toddler Talks

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.