A work in constant progress (and occasional regress).
Birthplace:
Łódź, Poland
Born:
January 12, 1929
Died:
January 15, 2002
Hieronim Przybył was a Polish film director and screenwriter, recognized for his contributions to Polish cinema during the mid-20th century. He graduated from the National Film School in Łódź in 1954, obtaining his diploma in 1966. Przybył's notable works include Żona dla Australijczyka (1964), a romantic comedy that gained popularity in Poland, and Rzeczpospolita babska (1969), a film set in post-World War II Poland, exploring themes of gender and societal roles. His films often depicted social issues with a blend of humor and drama, reflecting the complexities of Polish society during his era. Przybył passed away in Warsaw in 2002.
Assistant Director:
1955 Trzy starty
1956 Nikodem Dyzma
1957 Trzy kobiety
1959 Rancho Texas
1960 First Spaceship on Venus
1961 Dziś w nocy umrze miasto
1964 Wife for an Australian
Director:
1955 Trzy starty
1956 Nikodem Dyzma
1957 Trzy kobiety
1959 Rancho Texas
1960 First Spaceship on Venus
1961 Dziś w nocy umrze miasto
1964 Wife for an Australian
1966 Nightingales of Poznań
1967 Paryż - Warszawa bez wizy
1969 Rzeczpospolita babska
1971 Milion za Laurę
First Assistant Director:
1955 Trzy starty
1956 Nikodem Dyzma
1957 Trzy kobiety
1958 The Noose
1959 Rancho Texas
1960 First Spaceship on Venus
1961 Dziś w nocy umrze miasto
1962 Spóźnieni przechodnie
1964 Wife for an Australian
1966 Nightingales of Poznań
1966 Wystrzał
1967 Paryż - Warszawa bez wizy
1969 Rzeczpospolita babska
1971 Milion za Laurę
Screenplay:
1955 Trzy starty
1956 Nikodem Dyzma
1957 Trzy kobiety
1958 The Noose
1959 Rancho Texas
1960 First Spaceship on Venus
1961 Dziś w nocy umrze miasto
1962 Spóźnieni przechodnie
1964 Wife for an Australian
1966 Nightingales of Poznań
1966 Wystrzał
1967 Paryż - Warszawa bez wizy
1969 Rzeczpospolita babska
1971 Milion za Laurę
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.