A work in constant progress (and occasional regress).
Andrés Soto is a Costa Rican composer based in Los Angeles with an active career in both film and concert music. He has written music for several feature films, documentaries, shorts, trailers and video games, as well as numerous concert works that have been performed by orchestras around the world.
Music:
2018 ¡He matado a mi marido!
2020 Nowhere
2021 Abigail
2021 King Otto
???? Apartment Story
Music Supervisor:
2018 ¡He matado a mi marido!
2020 Nowhere
2021 Abigail
2021 King Otto
???? Apartment Story
Orchestrator:
2018 ¡He matado a mi marido!
2020 Nowhere
2021 Abigail
2021 King Otto
2024 Freydís and Gudrid
???? Apartment Story
Original Music Composer:
2013 Grotto
2014 The Father's Love
2017 Buscando a Marcos Ramírez
2018 To the palindrome!
2018 ¡He matado a mi marido!
2020 Nowhere
2021 Abigail
2021 King Otto
2022 In Training
2022 Volvió
2024 Colibrí
2024 Freydís and Gudrid
???? Apartment Story
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.