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Casey Williams

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Biography from TheMovieDB

Casey joined the media industry in 2007, starting out in stills photography and working in-house in publication across several magazines and studios, she moved into Art direction in 2009 assisting and Art directing on long running table top advertising campaigns.  2012 brought a move into Art directing and Production designing on feature films and more varied advertising campaigns which, since 2014 has lead to Set decorating in film and television, often managing large Set decoration teams and budgets spread across multiple countries.  Casey has since guest lectured at London film school, and NYU, on the importance of Set Decoration in production design, and the process of building a world.  Nominations;  Primetime Emmy Nominee - Outstanding Production Design for a Narrative Contemporary Program ( One hour or more) Killing Eve - Are you from Pinner? (2020)  Art Directors Guild - Excellence in Production design award Nominee (2021) Killing Eve - Are you from Pinner?  One hour contemporary Single-Camera Television Series  British Film Designers Guild - Best Production design for a Contempory Feature Film. (2023) ‘The Kitchen’.  BAFTA Accredited Member  BFDG Accredited member

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Film Production

Additional Photography:
2023  Red, White & Royal Blue

Art Direction:
2011  The Send Off
2023  Red, White & Royal Blue

Set Decoration:
2011  The Send Off
2023  Red, White & Royal Blue
2023  The Kitchen
2024  Familiar Phantoms

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TV Production

Set Decoration:
2017  The End of the F***ing World
2019  A Confession

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.