A work in constant progress (and occasional regress).
Birthplace:
Belgique
Born:
January 1, 1986
Born in 1986, Miléna Trivier grew up in a tiny Belgian village where distractions were rare. This enclosed environment encourages his sense of observation and his ability to marvel at what surrounds him. Two characteristic features of its cinematographic universe. At 18, she joined INSAS, the national film school, in the Image section and directed her first film, “12 AUG. 2002”, with the collaboration of the writer John Berger. She also works intensively as a colorist. His work has been praised in films such as “Ma’Ohi Nui, in the heart of the ocean my country” (2018 Berlinale official selection) “Mitra” (2018 FID selection) or “Sans Frapper” (Vision of reality).
Color Grading:
2019 We are not legends
2020 Palma
2021 Elsewhere, Everywhere
2021 The Wakeful Sleeper
2024 Volcan
???? À contretemps
Colorist:
2015 Goujons 59/63
2019 We are not legends
2020 Palma
2021 Elsewhere, Everywhere
2021 Just a Movement
2021 The Wakeful Sleeper
2024 Volcan
???? À contretemps
Director:
2012 12.Août.2002
2015 Goujons 59/63
2019 We are not legends
2020 Palma
2021 Elsewhere, Everywhere
2021 Just a Movement
2021 The Wakeful Sleeper
2022 Algorithms of Beauty
2024 Volcan
???? À contretemps
Director of Photography:
2012 12.Août.2002
2015 Goujons 59/63
2019 We are not legends
2020 Palma
2021 Elsewhere, Everywhere
2021 Just a Movement
2021 The Wakeful Sleeper
2022 Algorithms of Beauty
2024 Volcan
???? À contretemps
Editor:
2012 12.Août.2002
2015 Goujons 59/63
2019 We are not legends
2020 Palma
2021 Elsewhere, Everywhere
2021 Just a Movement
2021 The Wakeful Sleeper
2022 Algorithms of Beauty
2024 Volcan
???? À contretemps
Production Design:
2012 12.Août.2002
2015 Goujons 59/63
2018 Behind the Shutters
2019 We are not legends
2020 Palma
2021 Elsewhere, Everywhere
2021 Just a Movement
2021 The Wakeful Sleeper
2022 Algorithms of Beauty
2024 Volcan
???? À contretemps
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.