A work in constant progress (and occasional regress).
Alias:
Constantin Jelenski
Konstanty A Jelenski
Birthplace:
Warszawa, Poland
Born:
January 2, 1922
Died:
May 4, 1987
Konstanty Aleksander Jeleński (2 January 1922 - 4 May 1987) was a Polish essayist. Konstanty Aleksander Jeleński (in French: Constantin Jelenski) was born on 2 January 1922 in Warsaw, Poland. He died on 4 May 1987 in Paris, France. At the age of eighteen he left Poland to serve the Polish Army in France. He lived the remainder of his life as an émigré, first in Italy for several years after the Second World War, then settling in Paris in 1951. In Paris, Jeleński was active in Polish émigré literary circles. He led the Eastern European division of the Congress for Cultural Freedom (after 1967, the International Association for Cultural Freedom) and was a prolific contributor to the Association's monthly publication Preuves and to Kultura, the Polish émigré literary journal. Beginning in 1975, he became increasingly active with the Institut national de l'audiovisuel. Jeleński's criticism, translations and edited works addresses a wide range of literary, political and artistic topics, especially twentieth-century Polish literature and history. Among his most influential works are many critical essays about Witold Gombrowicz and the edited volume Anthologie de la poesie polonaise (1965). Since 1952, Jeleński was remaining in a relationship with Argentine painter Leonor Fini. Until his death they lived together and with Fini's former partner Italian painter Stanislao Lepri in Paris. Alleged biological father of Jeleński was Carlo Sforza. Source: Article "Konstanty Jeleński" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.