A work in constant progress (and occasional regress).
Paul Tarragó is a filmmaker, using both video and celluloid, living in London whose work is a mix of underground experimentation and metafiction, tugging at the leash of film language but with narrative often held close at hand. It has shown widely on film festival and gallery circuits (International Film Festival Rotterdam, NYUFF, EMAF, National Review of Live Art, Triangle France, Kino der Kunst) and includes several award winning experimental narratives, video installation, a collaborative feature film, cinematic sketchbooks, moving image + live soundtrack performance work, etc. A formative influence on Tarragó's DIY approach comes from his experiences as a core member and activist with the Exploding Cinema: a collective dedicated to originating alternative methods of exhibition for low-budget/artists' film and video and related performance.
Camera Operator:
2018 ANIMAL CONDENSED>>ANIMAL EXPANDED#2
Director:
2018 ANIMAL CONDENSED>>ANIMAL EXPANDED#2
2019 Magic Explained
2019 The Popular Touch
2020 My Summer with Raúl
2021 Advertisements for myself
2021 Glad Hand / Sad Hand
2023 Niebla REDUX
2024 Looking for Letine
Lighting Artist:
2018 ANIMAL CONDENSED>>ANIMAL EXPANDED#2
2019 Magic Explained
2019 The Popular Touch
2020 My Summer with Raúl
2021 Advertisements for myself
2021 Glad Hand / Sad Hand
2021 Not Yet Out of the Wood
2023 Niebla REDUX
2024 Looking for Letine
Lighting Manager:
2018 ANIMAL CONDENSED>>ANIMAL EXPANDED#2
2019 Magic Explained
2019 The Popular Touch
2020 My Summer with Raúl
2021 Advertisements for myself
2021 Glad Hand / Sad Hand
2021 Not Yet Out of the Wood
2023 Niebla REDUX
2024 Looking for Letine
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.