A work in constant progress (and occasional regress).
Birthplace:
Lisbon, Portugal
Born:
April 11, 1953
Died:
March 24, 2019
Manuel Graça Dias was a prominent Portuguese architect, professor, and writer, recognized for his influential contributions to contemporary Portuguese architecture. Born in Lisbon, Graça Dias studied architecture at the Escola Superior de Belas-Artes de Lisboa and later became a respected educator at various institutions, including the University of Porto and the Universidade Autónoma de Lisboa. In partnership with Egas José Vieira, he co-founded the architecture firm Contemporânea, where they designed many notable projects characterized by a bold, modern style that merged functionality with creative expression. Some of their iconic works include the Teatro Municipal de Almada and the Pavilion of Knowledge (Pavilhão do Conhecimento) in Lisbon, both of which reflect his innovative approach to public spaces. Graça Dias was also a prolific writer and commentator on architecture, contributing columns, articles, and television programs that made architectural ideas accessible to the public. His work earned him awards and recognition as a leading voice in Portuguese architecture, and he is remembered for his impact on the architectural landscape and education in Portugal.
Director:
2013 A Limpeza
2014 A Encomenda
Production Design:
1984 Dead Man's Seat
2013 A Limpeza
2014 A Encomenda
Writer:
1984 Dead Man's Seat
2013 A Limpeza
2013 Arriverdeci Macau
2014 A Encomenda
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.