A work in constant progress (and occasional regress).
Alias:
Aimée Lou Wood
エイミー・ルー・ウッド
Birthplace:
Manchester, England, UK
Born:
February 3, 1994
Aimee Lou Wood (born 3 February 1994) is an English actress. After early stage roles in Mary Stuart (2016–2017) and People, Places and Things (2017), Wood made her screen debut on the Netflix series Sex Education (2019–2023), which won her a British Academy Television Award for Best Female Comedy Performance. Wood subsequently had roles in the films The Electrical Life of Louis Wain (2021) and Living (2022), the BBC Three comedy series Daddy Issues (2024), as well as stage productions of Uncle Vanya in 2020 and Cabaret in 2023. She has since starred in the third season of the HBO anthology series The White Lotus (2025). Description above from the Wikipedia article Aimee Lou Wood, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.