A work in constant progress (and occasional regress).
Anthony is a Bristol-based composer who is quickly establishing himself as one of the UK’s most up-and-coming names in the world of Film and TV composition. Recently shortlisted as Best Newcomer in the Production Music Awards, Anthony’s music can be heard on all major UK channels, as well as internationally on NatGeo, Discovery, the Smithsonian Network and beyond. Known for his passion and commitment to any project, Anthony’s refreshing take on the importance of a quality soundtrack and offering something unique is quickly turning heads (and ears) within the world of TV and Film production.’
Production Accountant:
2018 Fleetwood Mac: A Musical History
Original Music Composer:
2017 Africa's Hunters
Production Accountant:
2017 Africa's Hunters
2021 Make-up: A Glamorous History
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.