A work in constant progress (and occasional regress).
Charles Kay is an entrepreneur and consultant based in the UK. He is the co-founder and Chief Operating Officer of iSculpt, an innovative medical technology company. Kay spent the first half of his career in the Interactive Entertainment industry with companies such as Sega, Virgin, GT Interactive and Codemasters. With the advent of online, he specialized in developing methods of monetizing content for gaming, music and film publishers with Exent Technologies and The Royal Bank Of Scotland. Since 2009, Charles has also undertaken various projects on behalf of the private office of Prof Stefan Allesch-Taylor CBE, a London based Financier and Entrepreneur. These projects have involved roles within a London based Investment Bank, as Commercial Director for a UK based financial services PLC and Communications Director of the award winning UK charity Pump Aid. He also co-presents Stefan's Social Experience Radio Show on London's Soho Radio interviewing social entrepreneurs based in the UK. In 2017, he became Grants Director for the Allesch-Taylor Short Film Fund. The fund encourages diversity and entrepreneurship in short form content.
Co-Executive Producer:
2016 Flyspy
2017 The Riot Act
2019 Running Man
2019 Sequins
2021 The Exit Plan
Executive Co-Producer:
2016 Flyspy
2017 The Riot Act
2018 Alex's Dream
2018 What Happened to Evie
2019 Haircut
2019 Running Man
2019 Sequins
2021 The Exit Plan
Executive Producer:
2016 Flyspy
2017 The Riot Act
2018 Alex's Dream
2018 What Happened to Evie
2019 Haircut
2019 Running Man
2019 Sequins
2020 Sudden Light
2021 The Exit Plan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.