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Jordan Goldman

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Birthplace:
Lexington, Massachusetts, U.S.

Biography from TheMovieDB

From HOMELAND to 24: LIVE ANOTHER DAY to THE SHIELD, Jordan Goldman, A.C.E. has worked for nearly 20 years in Hollywood's TV and film industry, cutting over 75 episodes of television. His keen eye for performance and strong sense of story have earned him an Emmy for Outstanding Editing for a Drama Series, and an American Cinema Editors Eddie.Jordan is a member of the Motion Picture Editor's Guild, the American Cinema Editors, the Television Academy, and the Director's Guild of America. From HOMELAND to MASTERS OF SEX to THE SHIELD, Jordan Goldman, A.C.E. has worked for nearly 20 years in Hollywood's TV and film industry, cutting over 75 episodes of television. His keen eye for performance and strong sense of story have earned him an Emmy for Outstanding Editing for a Drama Series, and an American Cinema Editors Eddie. Jordan is a member of the Motion Picture Editor's Guild, the American Cinema Editors, the Television Academy, and the Director's Guild of America.

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Film Production

Assistant Editor:
1998  How to Make the Cruelest Month
1999  The Unfinished Journey
2002  Tru Confessions

Editor:
1998  How to Make the Cruelest Month
1999  Little Secret
1999  The Unfinished Journey
2002  Tru Confessions
2013  Pawn
2016  Cold War II
2019  Running with the Devil

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TV Production

Director:
2001  24

Editor:
2001  24
2003  NCIS
2014  Fargo
2022  From Scratch
2024  Dark Matter

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.