A work in constant progress (and occasional regress).
Alias:
BB
Birthplace:
Rochester, New York, USA
Born:
March 27, 1949
Bill Brand is a multi-disciplinary artist whose films, public artwork, installations, paintings and works-on-paper have exhibited worldwide in museums, galleries microcinemas and on television. His 1980 Masstransiscope, an animated mural installed in the New York City subway, is in the MTA Arts and Design permanent collection. Bill Brand’s artwork has been featured at Museum of Modern Art, Whitney Museum, Smithsonian American Art Museum, National Gallery of Art, Anthology Film Archive and Shanghai Duolun Museum of Modern Art. He is represented by Galerie Arnaud Lefebvre, Paris and Court Tree Gallery, Brooklyn. His films have been presented at major film festivals including the Berlin Film Festival, New Directors/ New Films Festival, Tribeca Film Festival and Rotterdam Film Festival. His films are discussed in histories of cinema including the books Experimental Filmmaking: Break the Machine (2015) by Kathryn Ramey; Results You Can’t Refuse: Celebrating 30 Years of BB Optics, (2006) edited by Andrew Lampert, Documentary, A History of the Non-Fiction Film, (1992) by Erik Barnouw; and Allegories of Cinema, (1990) by David James. Brand’s work has also been written about in news and journal articles by Janet Maslin, Jonas Mekas, J. Hoberman, B. Ruby Rich, Ian Christie, Noel Carroll and Randy Kennedy among others. Bill Brand is Professor Emeritus at Hampshire College and teaches Film Preservation at New York University's Moving Image Archiving and Preservation graduate program. He is co-owner of BB Optics, Inc., a company that specializes in archival film preservation and post-production services. Bill Brand founded the showcase and workshop Chicago Filmmakers in 1973, and served on the Board of Directors of the Collective for Living Cinema until 1991 in New York City. He co-founded Parabola Arts in 1981 and is currently an artistic director. He served on the board of trustees for The Flaherty (2008-15) and is an advisor to the Orphan Film Symposium and Mono No Aware. Bill Brand lives in New York City with his wife, the artist Katy Martin.
Director:
1971 Always Open Never Closed
1972 Moment
1972 Rate of Change
1972 Sound Strip/Film Strip
1972 Zip-Tone-Cat-Tune
1973 Angular Momentum
1973 Demolition of a Wall
1974 Cartoons: An Angry Dog
1974 Cartoons: Before the Fact
1974 Cartoons: It Dawn Down
1974 Cartoons: The Autobiography of Benjamin Franklin
1974 Cartoons: The Central Finger
1974 Circles of Confusion
1975 Cartoons: New York State Primaries
1975 Cartoons: Still at Work
1979 Split Decision
1980 Masstransiscope
1982 Chuck's Will's Widow
1984 Coalfields
1991 Home Less Home
2002 Skinside Out
2003 Interior Outpost
2005 Swan’s Island
2011 Susie's Ghost
2018 Huevos a la mexicana
2019 August Garden
Editor:
1971 Always Open Never Closed
1972 Moment
1972 Rate of Change
1972 Sound Strip/Film Strip
1972 Zip-Tone-Cat-Tune
1973 Angular Momentum
1973 Demolition of a Wall
1974 Cartoons: An Angry Dog
1974 Cartoons: Before the Fact
1974 Cartoons: It Dawn Down
1974 Cartoons: The Autobiography of Benjamin Franklin
1974 Cartoons: The Central Finger
1974 Circles of Confusion
1975 Cartoons: New York State Primaries
1975 Cartoons: Still at Work
1979 Split Decision
1980 Masstransiscope
1982 Chuck's Will's Widow
1984 Coalfields
1991 Home Less Home
2002 Skinside Out
2003 Interior Outpost
2005 Swan’s Island
2011 Susie's Ghost
2018 Huevos a la mexicana
2019 August Garden
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.