A work in constant progress (and occasional regress).
Birthplace:
Hudson, New York, U.S.
Richard Colton performed with Twyla Tharp Dance from 1977 to 1988 and was a member of the Joffrey Ballet and American Ballet Theatre. He was a guest performer and teacher with the White Oak Dance Project, directed by Mikhail Baryshnikov, and has staged the works of Twyla Tharp for the Paris Opera Ballet, American Ballet Theatre, and Twyla Tharp Dance, where he served as rehearsal director. Mr. Colton appeared in the films Hair and Amadeus, directed by Milos Foreman, the PBS Great Performances presentation of "The Catherine Wheel," and on Broadway in Singing in the Rain. Mr. Colton currently co-directs SPENCER/COLTON, a company of dancers and actors formed in 1989 to perform his work in collaboration with Amy Spencer. The company, based in Boston, has been presented by Jacobs Pillow, Boston Dance Umbrella, the American Repertory Theater Fall Festival, Harvard Summer Dance Performance Series, Lincoln Center Out-of-Doors, and New York's Dance Theater Workshop. Mr. Colton has choreographed the A.R.T. productions of The Cherry Orchard; Henry V; The Threepenny Opera, directed by Ron Daniels; and Ubu Rock, directed by Andrei Belgrader. Each year since 1989, in collaboration with Amy Spencer, he has created an original dance-theater work with the actors of the American Repertory Theater/Moscow Art Theater Institute for Advanced Theater Training at Harvard University. Mr. Colton has choreographed productions for Trinity Repertory Theatre, Boston Conservatory Dance Theatre, and the Boston Ballet. He is currently on the faculty of the Boston Conservatory and co-directs the dance program at Concord Academy.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.