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Anne-Marie Bouchard

Biography from TheMovieDB

Anne-Marie Bouchard lives and works in Québec City. She has been making videos since 1999. Her films are an experimental, avant-garde experience—impressionistic and evocative: a cinema of poetry. She is a seeker of images, a discoverer of sounds, an explorer of cinema and media art, her work intimate and eclectic and artisanal. Her films delve into the ephemeral and the fragile, gesture and disappearance. She is interested in the impact colour and sound have on the emotive body, and in revealing the aesthetic potential in images of the everyday.

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Film Performances

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Film Production

Animation:
2024  La dissolution du paysage

Director:
1999  Swyngomatic Blues
2000  Legato
2003  Tableaux mouvants
2014  R_pour ne pas céder d’un pouce
2016  A Heady Moment That Could Change Everything
2016  Échos
2017  Light Plays
2018  Atoms Searching for Immateriality
2020  The Long Wail of a Passing Train Slips into the Heart of the Ghosts and Everything Explodes into Silence
2022  Salin
2023  1/24
2024  La dissolution du paysage
????  Bleue

Editor:
1999  Swyngomatic Blues
2000  Legato
2003  Tableaux mouvants
2014  R_pour ne pas céder d’un pouce
2016  A Heady Moment That Could Change Everything
2016  Échos
2017  Light Plays
2018  Atoms Searching for Immateriality
2020  The Long Wail of a Passing Train Slips into the Heart of the Ghosts and Everything Explodes into Silence
2022  Salin
2023  1/24
2024  La dissolution du paysage
????  Bleue

Producer:
1999  Swyngomatic Blues
2000  Legato
2003  Tableaux mouvants
2014  R_pour ne pas céder d’un pouce
2016  A Heady Moment That Could Change Everything
2016  Échos
2017  Light Plays
2018  Atoms Searching for Immateriality
2020  The Long Wail of a Passing Train Slips into the Heart of the Ghosts and Everything Explodes into Silence
2022  Salin
2023  1/24
2024  La dissolution du paysage
????  Bleue

Scenario Writer:
1999  Swyngomatic Blues
2000  Legato
2003  Tableaux mouvants
2014  R_pour ne pas céder d’un pouce
2016  A Heady Moment That Could Change Everything
2016  Échos
2017  Light Plays
2018  Atoms Searching for Immateriality
2020  The Long Wail of a Passing Train Slips into the Heart of the Ghosts and Everything Explodes into Silence
2022  Salin
2023  1/24
2024  La dissolution du paysage
????  Bleue

Sound:
1999  Swyngomatic Blues
2000  Legato
2003  Tableaux mouvants
2014  R_pour ne pas céder d’un pouce
2016  A Heady Moment That Could Change Everything
2016  Échos
2017  Light Plays
2018  Atoms Searching for Immateriality
2020  The Long Wail of a Passing Train Slips into the Heart of the Ghosts and Everything Explodes into Silence
2022  Salin
2023  1/24
2024  La dissolution du paysage
????  Bleue

Writer:
1999  Swyngomatic Blues
2000  Legato
2003  Tableaux mouvants
2014  R_pour ne pas céder d’un pouce
2016  A Heady Moment That Could Change Everything
2016  Échos
2017  Light Plays
2018  Atoms Searching for Immateriality
2020  The Long Wail of a Passing Train Slips into the Heart of the Ghosts and Everything Explodes into Silence
2022  Salin
2023  1/24
2024  La dissolution du paysage
????  Bleue

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.