A work in constant progress (and occasional regress).
Birthplace:
Lewisham, London, England, UK
Lucy Forbes is a BAFTA winning drama and comedy director from London. Her work includes This is Going to Hurt, The End of The F***ing World Season 2 and In My Skin. Featured on the Alice Initiative's Emerging Female Directors list 2019 and amassing multiple awards for her work in just a few years of directing scripted drama, Lucy has rapidly earned international acclaim. With a background in comedy, Lucy directed a wide range of comedic talent in her early career, including Charlie Brooker, Doug Stanhope and Aisling Bea. Her narrative breakout was Kayleigh Llewellyn's IN MY SKIN, produced by Expectation for the BBC, which won Lucy the BAFTA Cymru for Best Fiction Director and picked up the RTS Best Drama Series award. Lucy also served as lead director on the second series of Charlie Covell's THE END OF THE F***ING WORLD (Clerkenwell/C4/Netflix). The series scooped the BAFTA award for Best Drama Series and Best Supporting Actress for Naomi Ackie. In 2021, Lucy directed the opening four episodes of THIS IS GOING TO HURT, based on Adam Kay's best-selling medical memoir, produced by Sister Pictures for the BBC and AMC and starring Ben Whishaw, for which Lucy won the RTS Award for Best Drama Director. Lucy most recently directed and executive produced ERIC, a 6-part series written by Abi Morgan and starring Benedict Cumberbatch and Gaby Hoffman, for Sister Pictures and Netflix.
Director:
2017 The End of the F***ing World
2018 In My Skin
2022 This Is Going to Hurt
2023 Great Expectations
2024 Eric
Executive Producer:
2017 The End of the F***ing World
2018 In My Skin
2022 This Is Going to Hurt
2023 Great Expectations
2024 Eric
???? The Dream Lands
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.