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Amarante Abramovici (b. 1978)

Birthplace:
Aix-en-Provence - Bouches-du-Rhône - France

Born:
January 3, 1978

Biography from TheMovieDB

Filmmaker with a degree in directing from La Femis, Paris. Graduated from the University of Paris III, Sorbonne. She was selected for the Cannes Film Festival - Cinéfondation section, with Gaia (2004) and for the Cinéma du Réel, with Circa Me (2002). She has made films in collaboration, such as The Culture of Capital (2003) or Travelling 70′-76′ (2007). Between 2005 and 2013 she collaborated with the Serralves Museum. She programs film sessions and cycles in alternative venues in Porto, and collaborates in educational projects focusing on cinema. She has taught Cinema and Video at FEUP, Universidade Lusófona do Porto, FAUP and ESAP, and is currently a PhD student researching amateur cinema produced during the Portuguese revolution.

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Additional information:

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Film Performances

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Film Production

Assistant Director:
2001  Antes de amanhã

Director:
2001  Antes de amanhã
2002  Circa Me
2005  O Çul Verão
2024  Junho

Director of Photography:
2001  Antes de amanhã
2002  Circa Me
2005  O Çul Verão
2009  Música de Câmara
2024  Junho

Editor:
2001  Antes de amanhã
2002  Circa Me
2005  O Çul Verão
2007  Alterations and Repairs
2009  Música de Câmara
2024  Junho

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.