A work in constant progress (and occasional regress).
Born:
October 15, 1972
Director:
2022 お勢、断行
2022 歌妖曲~中川大志之丞変化~
2023 リムジン
2024 帰れない男~慰留と斡旋の攻防~
???? 鎌塚氏、羽を伸ばす
Screenplay:
2017 Stray Nightingale
2019 12 Suicidal Teens
2021 ZOKKI
2022 お勢、断行
2022 歌妖曲~中川大志之丞変化~
2023 Downfall
2023 リムジン
2024 帰れない男~慰留と斡旋の攻防~
???? 鎌塚氏、羽を伸ばす
Writer:
2017 Stray Nightingale
2019 12 Suicidal Teens
2019 Geki × Cine Kemuri no Gundan
2021 DOORS
2021 ZOKKI
2022 I Am Makimoto
2022 お勢、断行
2022 歌妖曲~中川大志之丞変化~
2023 Downfall
2023 Home Sweet Home
2023 リムジン
2024 帰れない男~慰留と斡旋の攻防~
???? 鎌塚氏、羽を伸ばす
Creator:
2012 I Love Tokyo Legend - Kawaii Detective -
Screenplay:
2010 Bungo Japanese Literature Cinema
2012 I Love Tokyo Legend - Kawaii Detective -
Writer:
2010 Bungo Japanese Literature Cinema
2012 I Love Tokyo Legend - Kawaii Detective -
2013 The Knife and the Sword
2014 Yowakutemo Katemasu
2022 The Incident Is Happening Around It
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.