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Igor Nolasco

Birthplace:
Brazil

Biography from TheMovieDB

A film critic, screenwriter, and filmmaker based in the state of Rio de Janeiro, Brazil, Igor Nolasco holds a bachelor's degree in Cinema and Audiovisual studies at ESPM Rio, working actively as columnist and collaborator on a number of webpages with writings concerning Brazilian cinema.

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Additional information:

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Film Performances

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Film Production

Camera Operator:
2020  Vermouth

Director:
2017  Ícaro
2018  NITERÓI: Cidade Dormitório
2019  Disruptivo
2019  Vão acabar com a Praça Onze
2020  Vermouth
2021  conversa de telefone

Director of Photography:
2017  Ícaro
2018  NITERÓI: Cidade Dormitório
2019  Disruptivo
2019  Vão acabar com a Praça Onze
2020  Vermouth
2021  conversa de telefone

Editor:
2017  Ícaro
2018  NITERÓI: Cidade Dormitório
2019  Disruptivo
2019  Vão acabar com a Praça Onze
2020  Vermouth
2021  conversa de telefone

Screenplay:
2017  Memórias Póstumas (de um relacionamento)
2017  Ícaro
2018  NITERÓI: Cidade Dormitório
2018  Na Imensidão dos Teus Olhos
2019  Disruptivo
2019  Vão acabar com a Praça Onze
2020  Abiding Body
2020  Vermouth
2021  Beyond Your Dreams
2021  O Quixote da Guanabara
2021  Sleepwalker
2021  conversa de telefone

Sound Editor:
2017  Memórias Póstumas (de um relacionamento)
2017  Ícaro
2018  NITERÓI: Cidade Dormitório
2018  Na Imensidão dos Teus Olhos
2019  Disruptivo
2019  Vão acabar com a Praça Onze
2020  Abiding Body
2020  Vermouth
2021  Beyond Your Dreams
2021  O Quixote da Guanabara
2021  Sleepwalker
2021  conversa de telefone

Writer:
2017  Memórias Póstumas (de um relacionamento)
2017  Ícaro
2018  NITERÓI: Cidade Dormitório
2018  Na Imensidão dos Teus Olhos
2018  Perdido Aqui
2019  Disruptivo
2019  Vão acabar com a Praça Onze
2020  Abiding Body
2020  Vermouth
2021  Beyond Your Dreams
2021  O Quixote da Guanabara
2021  Sleepwalker
2021  conversa de telefone

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.