Jeffrey Hartmann

A work in constant progress (and occasional regress).

Marcos Serafim

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Biography from TheMovieDB

Marcos Serafim is a Brazilian artist and researcher; Assistant Professor of Photography, Video, and Imaging at the University of Arizona in Tucson. He works with video and sound across theatrical exhibition, installation, and performance. He has exhibited work at the 5th and 6th Ghetto Bienalle in Haiti; the Oscar Niemeyer Museum in Brazil; the Experimental Media and Performing Arts Center (EMPAC), the Queens Museum, and Flux Factory in New York. His work has been screened in film festivals in multiple countries, including the Cine Esquema Novo Film Festival in Brazil (Audience Choice Second Best Short), Israel`s Horn Festival for Experimental Films (Jury’s Second Prize), Northampton Film Festival in Massachusetts (Jury’s Honorable Mention for Short Experimental) and Faito Doc Festival in Italy (Young Jury’s Honorable Mention for Short Documentary). Serafim holds a BA in Film and Video from Parana State University in Brazil, an MA in Studio Art from Eastern Illinois University, and an MFA in Studio Art from Michigan State University.

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Additional information:

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Film Production

Director:
2009  Hollywood
2018  GEDE VIZYON
2020  Autoimmune
2020  The Frightened President
2021  Red Masisi

Director of Photography:
2009  Hollywood
2018  GEDE VIZYON
2020  Autoimmune
2020  The Frightened President
2021  Red Masisi

Editor:
2009  Hollywood
2018  GEDE VIZYON
2020  Autoimmune
2020  The Frightened President
2021  Red Masisi

Producer:
2009  Hollywood
2018  GEDE VIZYON
2020  Autoimmune
2020  The Frightened President
2021  Red Masisi

Sound Designer:
2009  Hollywood
2018  GEDE VIZYON
2020  Autoimmune
2020  The Frightened President
2021  Red Masisi

Sound Recordist:
2009  Hollywood
2018  GEDE VIZYON
2020  Autoimmune
2020  The Frightened President
2021  Red Masisi

Writer:
2009  Hollywood
2018  GEDE VIZYON
2020  Autoimmune
2020  The Frightened President
2021  Red Masisi

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.