A work in constant progress (and occasional regress).
Camera Operator:
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
Cinematography:
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
Director:
2015 Italia Violenta
2018 End User
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2020 The Brains Behind the Nightmare
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 The Found Footage Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2022 Do You Believe In Ghosts?: 30 Years of Ghostwatch
2022 Dreaming of Death: Bob Clark's Horror Films
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023 Damaged: The Very British Obscenity of David Hamilton-Grant
2023 The J-Horror Virus
2024 Director's POV Koji Shiraishi on NOROl: The Curse
2024 Generation Terror
Director of Photography:
2015 Italia Violenta
2018 End User
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2020 The Brains Behind the Nightmare
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 The Found Footage Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2022 Do You Believe In Ghosts?: 30 Years of Ghostwatch
2022 Dreaming of Death: Bob Clark's Horror Films
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023 Damaged: The Very British Obscenity of David Hamilton-Grant
2023 The J-Horror Virus
2024 Director's POV Koji Shiraishi on NOROl: The Curse
2024 Generation Terror
2024 Scala Interviews
2024 Scala!!!
2024 Why So Serious?
Editor:
2015 Italia Violenta
2018 End User
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2020 The Brains Behind the Nightmare
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 The Found Footage Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2022 Do You Believe In Ghosts?: 30 Years of Ghostwatch
2022 Dreaming of Death: Bob Clark's Horror Films
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023 Damaged: The Very British Obscenity of David Hamilton-Grant
2023 The J-Horror Virus
2024 Director's POV Koji Shiraishi on NOROl: The Curse
2024 Generation Terror
2024 Scala Interviews
2024 Scala!!!
2024 The Charles Band Empire!
2024 Why So Serious?
Producer:
2015 Italia Violenta
2015 Release the Hound!
2018 End User
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2020 The Brains Behind the Nightmare
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 The Found Footage Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2022 Do You Believe In Ghosts?: 30 Years of Ghostwatch
2022 Dreaming of Death: Bob Clark's Horror Films
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023 Damaged: The Very British Obscenity of David Hamilton-Grant
2023 The J-Horror Virus
2024 Director's POV Koji Shiraishi on NOROl: The Curse
2024 Generation Terror
2024 Scala Interviews
2024 Scala!!!
2024 The Charles Band Empire!
2024 Why So Serious?
Writer:
2015 Italia Violenta
2015 Release the Hound!
2018 End User
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2020 The Brains Behind the Nightmare
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 The Found Footage Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2022 Do You Believe In Ghosts?: 30 Years of Ghostwatch
2022 Dreaming of Death: Bob Clark's Horror Films
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023 Damaged: The Very British Obscenity of David Hamilton-Grant
2023 The J-Horror Virus
2024 Director's POV Koji Shiraishi on NOROl: The Curse
2024 Generation Terror
2024 Scala Interviews
2024 Scala!!!
2024 The Charles Band Empire!
2024 Why So Serious?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.