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Martin Langer (b. 1959)

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Birthplace:
Hannover, Germany

Born:
January 8, 1959

Additional information:

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Film Production

Boom Operator:
1987  Bagdad Cafe

Cinematography:
1987  Bagdad Cafe
1998  Andrea and Marie
2009  Effi Briest
2010  Single By Contract
2013  The Taste of Apple Seeds
2015  Einmal Hallig und zurück
2019  The Three Exclamation Marks
2022  Sugarlove

Director of Photography:
1987  Bagdad Cafe
1989  Der letzte Tanz
1995  Roula
1997  14 Days to Life
1997  Buddies - Leben auf der Überholspur
1998  Andrea and Marie
2001  Sass
2001  The Tunnel
2002  Bibi Blocksberg
2004  The I Inside
2004  The Other Woman
2005  Sophie Scholl: The Final Days
2005  The White Masai
2007  Duel at Night
2007  Pornorama
2009  Effi Briest
2010  Single By Contract
2011  Lessons of a Dream
2012  Men Do what Men Can
2013  The Girl with Nine Wigs
2013  The Taste of Apple Seeds
2014  Labyrinth of Lies
2015  Ein großer Aufbruch
2015  Einmal Hallig und zurück
2015  Matthiesens Töchter
2015  Men Have to Go through This
2017  Zweibettzimmer
2018  Aufbruch in die Freiheit
2018  Rufmord
2019  Die Informantin - Der Fall Lissabon
2019  The Three Exclamation Marks
2020  Eine harte Tour
2021  Dreiraumwohnung
2021  Zurück ans Meer
2022  Sugarlove
2024  Two to One
????  Was wiegt die Liebe?

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TV Performances

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TV Production

Director of Photography:
1970  Scene of the Crime

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.