A work in constant progress (and occasional regress).
Alias:
Андрій Нідзельський
Music:
2015 Three days in Donetsk airport
Sound:
2013 Sakura
2015 Three days in Donetsk airport
2018 Anya and Seryozha
2019 Anna
2020 Anakonda
2021 War Note
2024 Dear Beautiful Beloved
Sound Designer:
2013 Sakura
2014 Stronger than Arms
2015 Three days in Donetsk airport
2016 Mariupolis
2018 Anya and Seryozha
2019 Anna
2020 Anakonda
2020 Between the Frames
2021 War Note
2024 Dear Beautiful Beloved
Sound Director:
2013 Sakura
2014 Stronger than Arms
2015 Three days in Donetsk airport
2016 Mariupolis
2018 Anya and Seryozha
2019 Anna
2020 Anakonda
2020 Between the Frames
2021 War Note
2022 Erik Stoneheart
2024 Dear Beautiful Beloved
Sound Engineer:
2013 Sakura
2014 Stronger than Arms
2015 Three days in Donetsk airport
2016 Mariupolis
2018 Anya and Seryozha
2019 Anna
2020 Anakonda
2020 Between the Frames
2021 War Note
2022 Erik Stoneheart
2024 Dear Beautiful Beloved
???? Petrol station
Sound Mixer:
2013 Sakura
2014 Stronger than Arms
2015 Three days in Donetsk airport
2016 Mariupolis
2018 Anya and Seryozha
2018 The Winter Garden’s Tale
2019 Anna
2020 Anakonda
2020 Between the Frames
2021 War Note
2022 Erik Stoneheart
2022 TEOTWAWKI - The End of the World As We Know It
2024 Dear Beautiful Beloved
???? Petrol station
Sound Recordist:
2013 Sakura
2014 Stronger than Arms
2015 Three days in Donetsk airport
2016 Mariupolis
2018 Anya and Seryozha
2018 The Winter Garden’s Tale
2019 Anna
2020 Anakonda
2020 Between the Frames
2021 Rhino
2021 War Note
2022 Erik Stoneheart
2022 TEOTWAWKI - The End of the World As We Know It
2022 The Hamlet Syndrome
2024 Dear Beautiful Beloved
2024 The Grab
???? Petrol station
Sound Recordist:
2024 Turning Point: The Bomb and the Cold War
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.