Kevin Lambert
A work in constant progress (and occasional regress).
Editor:
2019 The House Is Alive: Constructing 'Crimson Peak'
Executive Producer:
2017 A Letter to Castro
2017 Ding Dong, You're Dead! The Making of "House"
2017 Home Deadly Home: The Making of "House IV"
2017 It's Getting Weirder! The Making of "House II"
2017 Junichiro Hayashi: Creepy Images
2017 Kiyoshi Kurosawa: Broken Circuits
2017 The Catastrophe of Success: Stuart Gordon and the Organic Theater
2017 Theater of Blood with Mark Nutter
2018 Maelstrom: The Odyssey of Waterworld
2019 American Frontiers: Anthony Mann at Universal
2019 Circumnavigating Ring
2019 Mark of The Beast: The Legacy of the Universal Werewolf
2019 The House Is Alive: Constructing 'Crimson Peak'
2019 The Ring Legacy
2019 Wares of the Wolf
2020 Hollywood of the North
2020 No Turning Back: Scoring Silent Running
2021 It's a Madcap World: The Making of an Unfinished Film
2021 Two Men Alone
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023 Exterminate All Rational Thought
2023 The Beauty of Suffering
2023 The Final Game of Death
2024 The Last Day
Producer:
2017 A Letter to Castro
2017 Ding Dong, You're Dead! The Making of "House"
2017 Home Deadly Home: The Making of "House IV"
2017 It's Getting Weirder! The Making of "House II"
2017 Junichiro Hayashi: Creepy Images
2017 Kiyoshi Kurosawa: Broken Circuits
2017 The Catastrophe of Success: Stuart Gordon and the Organic Theater
2017 The Killing Floor
2017 Theater of Blood with Mark Nutter
2018 Maelstrom: The Odyssey of Waterworld
2019 American Frontiers: Anthony Mann at Universal
2019 Circumnavigating Ring
2019 Mark of The Beast: The Legacy of the Universal Werewolf
2019 The House Is Alive: Constructing 'Crimson Peak'
2019 The Ring Legacy
2019 Wares of the Wolf
2020 Hollywood of the North
2020 No Turning Back: Scoring Silent Running
2021 It's a Madcap World: The Making of an Unfinished Film
2021 Two Men Alone
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023 Exterminate All Rational Thought
2023 The Beauty of Suffering
2023 The Final Game of Death
2024 The Last Day
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.