A work in constant progress (and occasional regress).
3D Digital Colorist:
2023 Scream VI
Additional Colorist:
2022 Amsterdam
2023 Scream VI
Color Assistant:
2018 Upgrade
2022 Amsterdam
2023 Scream VI
Color Grading:
2018 Upgrade
2019 Acuitzeramo
2022 Amsterdam
2023 Scream VI
Colorist:
2016 One Per Person
2018 Upgrade
2019 Acuitzeramo
2020 Harana
2022 Amsterdam
2023 Scream VI
2024 Trap
Digital Colorist:
2016 One Per Person
2018 Upgrade
2019 Acuitzeramo
2019 The Coin
2020 Harana
2022 Amsterdam
2023 Scream VI
2024 Trap
Digital Intermediate:
2013 R.I.P.D.
2016 One Per Person
2018 Upgrade
2019 Acuitzeramo
2019 The Coin
2020 Harana
2022 Amsterdam
2023 Scream VI
2024 Trap
Digital Intermediate Assistant:
2013 R.I.P.D.
2016 One Per Person
2018 Upgrade
2019 Acuitzeramo
2019 The Coin
2020 Harana
2020 Kajillionaire
2022 Amsterdam
2023 Scream VI
2024 Trap
Editor:
2007 The Making of 'The Sand Pebbles'
2013 R.I.P.D.
2016 One Per Person
2018 Upgrade
2019 Acuitzeramo
2019 The Coin
2020 Harana
2020 Kajillionaire
2022 Amsterdam
2023 Scream VI
2024 Trap
Editorial Services:
2007 The Making of 'The Sand Pebbles'
2013 R.I.P.D.
2016 One Per Person
2018 Upgrade
2019 Acuitzeramo
2019 ECCO
2019 The Coin
2020 Harana
2020 Kajillionaire
2022 Amsterdam
2023 Scream VI
2024 Trap
Colorist:
2024 Monsters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.