A work in constant progress (and occasional regress).
Alias:
Aleksander Urzhanov
Aleksandr Urzhanov
Alexandr Urzhanov
Александр Уржанов
Born:
November 2, 1984
Creative Producer:
2020 Leaves. A New Look
2022 Pelevin
2023 Abramovich Collection
2023 Life on Call. Doc
2023 Special Opinion
2023 The Son
2023 White Coat
Director:
2020 Leaves. A New Look
2022 Pelevin
2023 Abramovich Collection
2023 Life on Call. Doc
2023 Special Opinion
2023 The Son
2023 White Coat
2024 Becoming Navalny
2024 Please Look Up
Executive Producer:
2018 Theatre Affair
2020 Leaves. A New Look
2021 Sakharov. Two Lives
2022 Pelevin
2023 Abramovich Collection
2023 Life on Call. Doc
2023 Special Opinion
2023 The Son
2023 White Coat
2024 Becoming Navalny
2024 Please Look Up
Producer:
2015 At Their Fingertips
2018 Theatre Affair
2019 North Is Nearby
2019 With Closed Windows
2020 Leaves. A New Look
2020 This Is Edik
2021 Sakharov. Two Lives
2021 Берегите хулиганов
2022 Pelevin
2023 Abramovich Collection
2023 Life on Call. Doc
2023 Special Opinion
2023 The Son
2023 White Coat
2024 Becoming Navalny
2024 Please Look Up
2024 Why I Swam Upstream
Writer:
2015 At Their Fingertips
2016 Russian Jews. Part One. Before Revolution.
2017 Russian Jews. Part Three. After 1948.
2018 Theatre Affair
2019 North Is Nearby
2019 With Closed Windows
2020 Leaves. A New Look
2020 This Is Edik
2021 Sakharov. Two Lives
2021 Берегите хулиганов
2022 Pelevin
2023 Abramovich Collection
2023 Life on Call. Doc
2023 Special Opinion
2023 The Son
2023 White Coat
2024 Becoming Navalny
2024 Please Look Up
2024 Why I Swam Upstream
Creative Producer:
2020 The Dyatlov Pass Incident. A Documentary Series
Director:
2020 A New Reality
2020 The Dyatlov Pass Incident. A Documentary Series
Screenplay:
2020 A New Reality
2020 The Dyatlov Pass Incident. A Documentary Series
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.