A work in constant progress (and occasional regress).
Julien Alary is a French/Norwegian Freelance Senior Colorist, based in Oslo.
Color Grading:
2022 Marks
2022 Touch of Crude
Colorist:
2006 Uro
2009 Orps: The Movie
2009 Vegas
2010 Cold Prey III
2010 King of Devil's Island
2011 Headhunters
2011 Oslo, August 31st
2011 The Monitor
2011 Turn Me On, Dammit!
2012 All That Matters Is Past
2015 Homesick
2015 Louder Than Bombs
2015 Staying Alive
2015 Women in Oversized Men's Shirts
2016 In the Forest of Huckybucky
2016 Mr. Death
2017 Thelma
2018 Congo
2018 Harajuku
2020 Pieces of a Woman
2021 Sofia, Last Summer
2021 The Quest for Tonewood
2021 The Worst Person in the World
2022 Marks
2022 Sick of Myself
2022 Touch of Crude
2023 Tits
2024 Baño María
Colorist:
2016 Life on the Line
2021 Delete Me
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.