A work in constant progress (and occasional regress).
Krsto Škanata was a Yugoslav and Serbian film director, born in Tivat on 12 January 1924. In a career spanning 40 years, he directed over 40 documentaries, among which many were included in the anthologies of the documentary genre. His films were victims of frequent bans by the Yugoslav government. He died on 18 February 2017 in Belgrade.
Director:
1954 Life-Saving Drops
1955 In the Shadow of Magic
1957 Debt of Conscience
1957 Relay of Youth
1957 Unit of Peace
1958 Great Century
1958 White Harvests
1958 Work And Physical Exercise
1961 Think It Over
1963 Report from the Zavoj Village
1963 Where The Law Ends
1964 First Grammatical Case: Human
1965 I Renounce The World
1965 The Arrival
1966 Soldier, Go Away!
1967 Good Luck
1968 A Vampire's Nostalgia
1970 Terrorists
1973 Ustashe
1975 Communists of Yugoslavia
1977 Tito
1980 Josip Broz Tito
1983 12 Months of Winter
1983 Ateks
1988 Mosevac
1988 Thank You for Freedom
1992 Demolition of the Chapel on Lovćen
1993 God and Croats
Writer:
1954 Life-Saving Drops
1955 In the Shadow of Magic
1957 Debt of Conscience
1957 Relay of Youth
1957 Unit of Peace
1958 Great Century
1958 White Harvests
1958 Work And Physical Exercise
1961 Think It Over
1963 Report from the Zavoj Village
1963 Where The Law Ends
1964 First Grammatical Case: Human
1965 I Renounce The World
1965 The Arrival
1966 Soldier, Go Away!
1967 Good Luck
1968 A Vampire's Nostalgia
1970 Terrorists
1973 Ustashe
1975 Communists of Yugoslavia
1977 Tito
1980 Josip Broz Tito
1983 12 Months of Winter
1983 Ateks
1988 Mosevac
1988 Thank You for Freedom
1992 Demolition of the Chapel on Lovćen
1993 God and Croats
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.