A work in constant progress (and occasional regress).
Alias:
Lynn Hershman
Lynn Hershman Leeson
Lynn Hershmann
Birthplace:
Cleveland, Ohio, USA
Over the last five decades, artist and filmmaker Lynn Hershman Leeson has received international acclaim for her art and films. She is recognized for her innovative work investigating issues that are now recognized as key to the workings of society: the relationship between humans and technology, identity, surveillance, and the use of media as a tool of empowerment against censorship and political repression. She is considered one of the most influential media artists and has made pioneering contributions in photography, video, film, performance, installation and interactive as well as net-based media art. Her activist films on injustice within the art world and society at large have been praised worldwide. !Women Art Revolution! won first prize in the Montreal Festival for Films on Art and hailed by the Museum of Modern Art as one of the three best documentaries of 2012. Holland Cotter of the New York Times called it “the most comprehensive documentary ever made on the feminist art movement.” Her 2009 film Strange Culture – which the NY Time deemed “the perfect balance of form and content” and The Nation called “a brilliant and moving examination of fear and its manipulation” – resulted in the the release of an artist facing a prison sentence of 23 years.
Director:
1976 Bonwit Windows
1978 Commercial for Myself
1978 Lynn Turning into Roberta
1979 Test Patterns
1986 Confessions of a Chameleon
1987 Binge
1989 Longshot
1990 Desire Inc.
1992 Seeing Is Believing
1992 Shooting Script: A Transatlantic Love Story
1993 Virtual Love
1994 Seduction of a Cyborg
1994 Twists in the Cord (or) … Other Extensions of the Telephone
1998 CyberBaby
1999 Conceiving Ada
2002 Teknolust
2007 Life Squared
2007 Strange Culture
2010 !W.A.R.: !Women Art Revolution
2017 Tania Libre
2017 VertiGhost
2019 30/30 Vision: Three Decades of Strand Releasing
2019 Shadow Stalker
2019 The Electronic Diaries
2022 Logic Paralyzes the Heart
2023 Immortality
2024 Cyborgian Rhapsody—Immortality
Editor:
1976 Bonwit Windows
1978 Commercial for Myself
1978 Lynn Turning into Roberta
1979 Test Patterns
1986 Confessions of a Chameleon
1987 Binge
1989 Longshot
1990 Desire Inc.
1992 Seeing Is Believing
1992 Shooting Script: A Transatlantic Love Story
1993 Virtual Love
1994 Seduction of a Cyborg
1994 Twists in the Cord (or) … Other Extensions of the Telephone
1998 CyberBaby
1999 Conceiving Ada
2002 Teknolust
2007 Life Squared
2007 Strange Culture
2010 !W.A.R.: !Women Art Revolution
2017 Tania Libre
2017 VertiGhost
2019 30/30 Vision: Three Decades of Strand Releasing
2019 Shadow Stalker
2019 The Electronic Diaries
2022 Logic Paralyzes the Heart
2023 Immortality
2024 Cyborgian Rhapsody—Immortality
Producer:
1976 Bonwit Windows
1978 Commercial for Myself
1978 Lynn Turning into Roberta
1979 Test Patterns
1986 Confessions of a Chameleon
1987 Binge
1989 Longshot
1990 Desire Inc.
1992 Seeing Is Believing
1992 Shooting Script: A Transatlantic Love Story
1993 Virtual Love
1994 Seduction of a Cyborg
1994 Twists in the Cord (or) … Other Extensions of the Telephone
1998 CyberBaby
1999 Conceiving Ada
2002 Teknolust
2007 Life Squared
2007 Strange Culture
2010 !W.A.R.: !Women Art Revolution
2017 Tania Libre
2017 VertiGhost
2019 30/30 Vision: Three Decades of Strand Releasing
2019 Shadow Stalker
2019 The Electronic Diaries
2022 Logic Paralyzes the Heart
2023 Immortality
2024 Cyborgian Rhapsody—Immortality
Production Design:
1976 Bonwit Windows
1978 Commercial for Myself
1978 Lynn Turning into Roberta
1979 Test Patterns
1986 Confessions of a Chameleon
1987 Binge
1989 Longshot
1990 Desire Inc.
1992 Seeing Is Believing
1992 Shooting Script: A Transatlantic Love Story
1993 Virtual Love
1994 Seduction of a Cyborg
1994 Twists in the Cord (or) … Other Extensions of the Telephone
1998 CyberBaby
1999 Conceiving Ada
2002 Teknolust
2007 Life Squared
2007 Strange Culture
2010 !W.A.R.: !Women Art Revolution
2017 Tania Libre
2017 VertiGhost
2019 30/30 Vision: Three Decades of Strand Releasing
2019 Shadow Stalker
2019 The Electronic Diaries
2022 Logic Paralyzes the Heart
2023 Immortality
2024 Cyborgian Rhapsody—Immortality
Screenplay:
1976 Bonwit Windows
1978 Commercial for Myself
1978 Lynn Turning into Roberta
1979 Test Patterns
1986 Confessions of a Chameleon
1987 Binge
1989 Longshot
1990 Desire Inc.
1992 Seeing Is Believing
1992 Shooting Script: A Transatlantic Love Story
1993 Virtual Love
1994 Seduction of a Cyborg
1994 Twists in the Cord (or) … Other Extensions of the Telephone
1998 CyberBaby
1999 Conceiving Ada
2002 Teknolust
2007 Life Squared
2007 Strange Culture
2010 !W.A.R.: !Women Art Revolution
2017 Tania Libre
2017 VertiGhost
2019 30/30 Vision: Three Decades of Strand Releasing
2019 Shadow Stalker
2019 The Electronic Diaries
2022 Logic Paralyzes the Heart
2023 Immortality
2024 Cyborgian Rhapsody—Immortality
Writer:
1976 Bonwit Windows
1978 Commercial for Myself
1978 Lynn Turning into Roberta
1979 Test Patterns
1986 Confessions of a Chameleon
1987 Binge
1989 Longshot
1990 Desire Inc.
1992 Seeing Is Believing
1992 Shooting Script: A Transatlantic Love Story
1993 Virtual Love
1994 Seduction of a Cyborg
1994 Twists in the Cord (or) … Other Extensions of the Telephone
1998 CyberBaby
1999 Conceiving Ada
2002 Teknolust
2007 Life Squared
2007 Strange Culture
2010 !W.A.R.: !Women Art Revolution
2017 Tania Libre
2017 VertiGhost
2019 30/30 Vision: Three Decades of Strand Releasing
2019 Shadow Stalker
2019 The Electronic Diaries
2022 Logic Paralyzes the Heart
2023 Immortality
2024 Cyborgian Rhapsody—Immortality
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.